“The press, many-tongued, surpassed itself in reproaches upon these women who had so far departed from their sphere as to speak in public.”
The Progress of Fifty Years (1893)
Context: The press, many-tongued, surpassed itself in reproaches upon these women who had so far departed from their sphere as to speak in public. But, with anointed lips and a consecration which put even life itself at stake, these peerless women pursued the even tenor of their way, saying to their opponents only: "Woe is me, if I preach not this gospel of freedom for the slave." Over all came the melody of Whittier's "When woman's heart is breaking Shall woman's voice be hushed? "
Help us to complete the source, original and additional information
Lucy Stone 34
American abolitionist and suffragist 1818–1893Related quotes

“I’d thought I knew what beauty was in women; but she’d surpassed all the language I had for it.”
Source: The Queen of the Damned

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 19. How, Though the Sphere Showed Me Other Mysteries of Spaceland, I Still Desired More; and What Came of It
Context: My Lord, your own wisdom has taught me to aspire to One even more great, more beautiful, and more closely approximate to Perfection than yourself. As you yourself, superior to all Flatland forms, combine many Circles in One, so doubtless there is One above you who combines many Spheres in One Supreme Existence, surpassing even the Solids of Spaceland. And even as we, who are now in Space, look down on Flatland and see the insides of all things, so of a certainty there is yet above us some higher, purer region, whither thou dost surely purpose to lead me — O Thou Whom I shall always call, everywhere and in all Dimensions, my Priest, Philosopher, and Friend — some yet more spacious Space, some more dimensionable Dimensionality, from the vantage-ground of which we shall look down together upon the revealed insides of Solid things, and where thine own intestines, and those of thy kindred Spheres, will lie exposed to the view of the poor wandering exile from Flatland, to whom so much has already been vouchsafed.

Source: 1930s, Education and the Social Order (1932), p. 133
Pedro Henríquez Ureña, p. 777
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)
Context: There is a consoling mythology, constantly being added to, which would have us believe that genius operates beyond donkey work. Thus we are told reassuringly that Einstein was no better at arithmetic than we are; that Mozart gaily broke the rules of composition while jotting down a stream of black dots without even looking; and that Shakespeare didn't care about grammar. Superficially, there are facts to lend substance to these illusions. But illusions they remain. There is always some autistic child in India who can speak in prime numbers, but that doesn't mean Einstein couldn't add up; Mozart would not have been able to break the rules in an interesting way unless he was able to keep them if required; and Shakespeare, far from being careless about grammar, could depart from it in any direction only because he had first mastered it as a structure.

Draft for a Statement of Human Obligation (1943)
Context: It is the aim of public life to arrange that all forms of power are entrusted, so far as possible, to men who effectively consent to be bound by the obligation towards all human beings which lies upon everyone, and who understand the obligation.
Law is the quality of the permanent provisions for making this aim effective.

1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799