Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: She watched him with cool green eyes and smiled innocently. The eyes were alert with wonder, curiosity, and — perhaps something else — but she could apparently not see that he was in pain. There was something about her eyes that caused him to notice nothing else for several seconds. But then he noticed that the head of Mrs. Grales slept soundly on the other shoulder while Rachel smiled. It seemed a young shy smile that hoped for friendship. He tried again.
"Listen, is anyone else alive? Get —"
Melodious and solemn came her answer: "listen is anyone else alive — " She savored the words. She enunciated them distinctly. She smiled over them Her lips reframed them when her voice was done with them. It was more than reflexive imitation, he decided. She was trying to communicate something. By the repetition, she was trying to convey the idea: I am somehow like you.
But she had only just now been born.
And you're somehow different, too, Zerchi noticed with a trace of awe.
“The image of those cool green eyes lingered with him as long as life.”
Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: The image of those cool green eyes lingered with him as long as life. He did not ask why God would choose to raise up a creature of primal innocence from the shoulder of Mrs. Grales, or why God gave to it the preternatural gifts of Eden — these gifts which Man had been trying to seize by brute force again from Heaven since first he lost them. He had seen primal innocence in those eyes, and a promise of resurrection. One glimpse had been a bounty, and he wept in gratitude. Afterwards he lay with his face in the wet dirt and waited.
Nothing else ever came — nothing that he saw, or felt, or heard.
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Walter M. Miller, Jr. 37
American fiction writer 1923–1996Related quotes
Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: He received the Wafer from her hand. She replaced the lid of the ciborium and set the vessel in a more protected spot under a jutting rock. She used no conventional gestures, but the reverence with which she had handled it convinced him of one thing: she sensed the Presence under the veils. She who could not yet use words nor understand them, had done what she had as if by direct instruction, in response to his attempt at conditional baptism. He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.
“The Tennessee stud was long and lean
The color of the sun and his eyes were green.”
"Tennessee Stud" (1958)
Context: The Tennessee stud was long and lean
The color of the sun and his eyes were green.
He had the nerve and he had the blood
And there never was a hoss like the Tennessee stud.
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>He is and may be but oh! He is, he is,
This foundling of the infected past, so bright,
So moving in the manner of his hand. Yet look not at his colored eyes. Give him
No names. Dismiss him from your images.
The hot of him is purest in the heart. </p
Source: City of Glass
The Wonderful Wizard of Oz (1900)
Source: Oz: The Wonderful Wizard of Oz
“Green grass breaks through snow,
Artemis pleads for my help,
I am so cool.”
Source: The Titan's Curse