“What new mystery is this?”

Source: Son of a Witch

Source: Betsy in Spite of Herself

Source: A Natural History of the Senses (1991)

Source: The Last Song

Great Northern? (Chapter 9), 1947

30 December 1850
Journal Intime (1882), Journal entries
Context: The relation of thought to action filled my mind on waking, and I found myself carried toward a bizarre formula, which seems to have something of the night still clinging about it: Action is but coarsened thought; thought become concrete, obscure, and unconscious. It seemed to me that our most trifling actions, of eating, walking, and sleeping, were the condensation of a multitude of truths and thoughts, and that the wealth of ideas involved was in direct proportion to the commonness of the action (as our dreams are the more active, the deeper our sleep). We are hemmed round with mystery, and the greatest mysteries are contained in what we see and do every day. In all spontaneity the work of creation is reproduced in analogy. When the spontaneity is unconscious, you have simple action; when it is conscious, intelligent and moral action.

Source: The Secret Teachings of All Ages (1928), p. xc
Context: European mysticism was not dead at the time the United States of America was founded. The hand of the mysteries controlled in the establishment of the new government for the signature of the mysteries may still be seen on the Great Seal of the United states of America. Careful analysis of the seal discloses a mass of occult and Masonic symbols chief among them, the so-called American Eagle. … the American eagle upon the Great Seal is but a conventionalized phoenix... Not only were many of the founders of the United States government Masons, but they received aid from a secret and august body existing in Europe which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body —unseen and for the most part unknown — and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.

As translated by Jerome Rothenberg
Venetian Epigrams (1790)

"Anubis" to the Sphinx, in Act 2 of The Infernal Machine (1932); Collected Works Vol. 5 (1948)