"On Dubbing" ["Sobre el doblaje"]
Discussion (1932)
Context: The possibilities of the art of combination are not infinite, but they tend to be frightful. The Greeks engendered the chimera, a monster with heads of the lion, the dragon and the goat; the theologians of the second century, the Trinity, in which the Father, the Son and the Holy Ghost are inextricably tied; the Chinese zoologists, the ti-yiang, a vermilion supernatural bird, endowed with six feet and four wings, but without a face or eyes; the geometers of the nineteenth century, the hypercube, a figure with four dimensions, which encloses an infinite number of cubes and has as its faces eight cubes and twenty-four squares. Hollywood has just enriched this vain museum of horrors: by means of an artistic malignity called dubbing, it proposes monsters that combine the illustrious features of Greta Garbo with the voice of Aldonza Lorenzo.
The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
Being Alone http://books.google.com/books?id=IKgYAAAAYAAJ&q=%22Art's+the+biggest+vanity+the+assumption+that+one's+view+of+peace+or+fright+or+beauty+is+permanently+communicable%22&pg=PA21#v=onepage, The Ontario Review (Spring/Summer 1980)
“There are infinite possibilities.”
Vanna Bonta Talks About Quantum fiction: Author Interview (2007)
Quote of Hofmann in Hawthorne — the Painter: An Appreciation, (1952)
1950s
The Never-Ending Wrong (1977)
Context: The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet Revolution, the Sacco-Vanzetti trial of 1920 through 1927 — there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgment has already been pronounced and the trial is just a mask for murder.
Source: The Courage to Be (1952), p. 125
