“Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space.”

Source: Absolution Gap (2003), Chapter 7 (pp. 105-106)

Cited in: Peter Coad (1992) " Object-oriented patterns http://www.cs.washington.edu/education/courses/cse503/04sp/readings/designpattern.pdf." Communications of the ACM 35.9. p. 152
The Timeless Way of Building (1979)

Source: The Road

" Vision vs. Hallucination https://www.entrepreneur.com/article/224301/", Entrepreneur.com, 30 Aug 2012.

“Old Hundredth” p. 162 (originally published in New Worlds Science Fiction #100, November 1960)
Short fiction, Who Can Replace a Man? (1965)
Context: When the first flint, the first shell, was shaped into a weapon, that action shaped man. As he molded and complicated his tools, so they molded and complicated him. He became the first scientific animal. And at last, via information theory and great computers, he gained knowledge of all his parts. He formed the Laws of Integration, which reveal all beings as part of a pattern and show them their part in the pattern. There is only the pattern; the pattern is all the universe, creator and created.

The Complete Neurotic's Notebook (1981), Unclassified

Source: Tao Te Ching, Ch. 1, Gia-Fu Feng & Jane English (1972)
Context: The Tao that can be told is not the eternal Tao;
The name that can be named is not the eternal name.
The nameless is the beginning of heaven and earth.
The named is the mother of ten thousand things.
Ever desireless, one can see the mystery.
Ever desiring, one can see the manifestations.
These two spring from the same source but differ in name;
this appears as darkness.
Darkness within darkness.
The gate to all mystery.

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.