"Democracy: Its Presumptions and Realities" (1932); also in The Spirit of Liberty: Papers and Addresses (1952), p. 99 - 100.
Extra-judicial writings
Context: When I hear so much impatient and irritable complaint, so much readiness to replace what we have by guardians for us all, those supermen, evoked somewhere from the clouds, whom none have seen and none are ready to name, I lapse into a dream, as it were. I see children playing on the grass; their voices are shrill and discordant as children's are; they are restive and quarrelsome; they cannot agree to any common plan; their play annoys them; it goes poorly. And one says, let us make Jack the master; Jack knows all about it; Jack will tell us what each is to do and we shall all agree. But Jack is like all the rest; Helen is discontented with her part and Henry with his, and soon they fall again into their old state. No, the children must learn to play by themselves; there is no Jack the master. And in the end slowly and with infinite disappointment they do learn a little; they learn to forbear, to reckon with another, accept a little where they wanted much, to live and let live, to yield when they must yield; perhaps, we may hope, not to take all they can. But the condition is that they shall be willing at least to listen to one another, to get the habit of pooling their wishes. Somehow or other they must do this, if the play is to go on; maybe it will not, but there is no Jack, in or out of the box, who can come to straighten the game.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 619.
“Where the hell do you get your nerve?
From a Cracker Jack box.”
Source: Wicked Pleasure
“One must listen if one wishes to be listened to.”
Il faut écouter ceux qui parlent, si on veut en être écouté.
Réflexions diverses, IV: De la conversation.
Later Additions to the Maxims
As quoted in "Roberto Clementeː Pounder from Puerto Rico" by John Devaney, in Baseball Stars of 1964 (1964), edited by Ray Robinson, p. 149
Baseball-related, <big><big>1960s</big></big>, <big>1964</big>
Other
On feeling overlooked amongst the current crop of rising hip-hop artists (Creative Loafing interview http://atlanta.creativeloafing.com/gyrobase/don_t_sleep_on_danny_/Content?oid=793782, 2009)
Interviews
O interview (2003)
Context: Because there was no industry or parts for Latin women when I came here, there was really no competitiveness. Jennifer Lopez and I were the first, and I think Jennifer was my partner at the beginning. I think it was important for others to see two of us, because maybe then we could be thought of as a social phenomenon. Because she doesn't have a foreign accent, Jennifer tried out for parts I couldn't get. There are now others with accents — Penelope Cruz, Antonio Banderas — but mind you, Antonio and Penelope are from Europe, not Mexico. It's only now that the taboo on Mexicans is lifting as Americans realize we're a little bit more than migrant workers. I hear some Latinos say, "Oh, no, no, no, the cliché that we are gang members, that's so bad — we have to show everyone that we're family people." Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals. That's the way to say, "You don't really know us — so when you look at me, or when you look at my sister, just be completely open for whatever. You have no clue who we are!"
Here people don't know what box to put me into. I'm not from the Bronx, I'm not from East L. A., so they don't know how to take me or what to call me!
Biharul Anwar, Volume 82, Page 224
Shi'ite Hadith
