1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926
“There are opposing forces in all living things. My work reflects this and stirs up a contrast of emotions in the viewer… perception versus annoyance. To the viewer who has reached that level of awareness, my work is no longer abstract, but very real.”
Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883
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Eugene J. Martin 41
American artist 1938–2005Related quotes
Source: Mark Hudson. "Cornelia Parker Interview." in: Telegraph. June 24, 2010
“What is the significance of viewer participation in your work?”
Context: What is the significance of viewer participation in your work?
It has to do with kinetic art. Kinetic art has very much to do with the interaction between spectator and art. In the second half of the ’50s, this became a big international movement. When I moved from painting to connections within media, this came through in the first work, which was an exhibition of found cardboard pieces. It was a turning point for me. The world itself, the industrial fabricated world, could stand for the man-made world of art.
Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 95-6
“There’s something imminent in the work, but the circle is only completed by the viewer.”
Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time
Original in French:
Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses.
Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,
The Age of Insight (2012)
Context: I outline in simple terms... our current understanding of the cognitive psychological and neurobiological basis of perception, memory, emotion, empathy, and creativity.... the principles of the viewer's response to art are applicable to all periods of painting.
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)