
“People tell me there are a lot of guys like me, which doesn't explain why I'm lonely.”
Relationships
Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.
“People tell me there are a lot of guys like me, which doesn't explain why I'm lonely.”
Relationships
An Interview with Ming-Na https://www.ign.com/articles/2004/10/27/an-interview-with-ming-na (27 October 2004)
“People see me and think I have lots of girlfriends, do I look like I have lots of girlfriends?”
On n'est point un homme d'esprit pour avoir beaucoup d'idées, comme on n'est pas un bon général pour avoir beaucoup de soldats.
Maximes et Pensées (Van Bever, Paris :1923), #446
Reflections
On working on The Darjeeling Limited (2007), in a Artist on Artist interview on MySpace (26 October 2007).
“I've had a lot of unhappiness in my life — and a lot of happiness. Who doesn't?”
AP reports, (1 November 1963)
Context: I've had a lot of unhappiness in my life — and a lot of happiness. Who doesn't? Maybe I've learned enough to be able to guide my daughters.
Congressional Testimony, March 27, 2003.
On how the border between the U.S. and Mexico influenced her work in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10)
Heritage and indigenous peoples