
“What people really want in the theater is fantasy involvement and not reality involvement.”
Quote (4 June 1967)
Essays on the Art of Theater (1954).
Context: It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
“What people really want in the theater is fantasy involvement and not reality involvement.”
Quote (4 June 1967)
On how she views theater in “BWW Interview: A Date with DESTINY: Talking with Playwright Karen Zacarías” https://www.broadwayworld.com/washington-dc/article/BWW-Interview-A-Date-with-DESTINY-Talking-with-Playwright-Karen-Zacaras-20150914 in Broadway World (2015 Sep 14)
1960's, I never thought of it as much of an ability,' (1968)
Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977
Wesley Snipes, Snipes in 2014 An Interview with Wesley Snipes: ‘The Expendables 3’ Interview http://www.theaquarian.com/2014/08/27/an-interview-with-wesley-snipes-the-expendables-3-interview/, The Aquarian Weekly, 27 August 2014
On making American theater more inclusive in “I Interview Playwrights Part 287: Anne Garcia-Romero” http://aszym.blogspot.com/2010/11/i-interview-playwrights-part-287-anne.html (Adam Szymkowicz, 2010)
On The Crucible, in a 1987 interview; as quoted in "Arthur Miller, Moral Voice of American Stage, Dies at 89" by Marilyn Berger in The New York Times (11 February 2005) http://www.nytimes.com/2005/02/11/theater/newsandfeatures/11cnd-miller.html?ei=5070&en=3842d0df3195ba4c&ex=1148356800&adxnnlx=1148209567-ZnjnGzbndB3P1XvCU5BNDg&pagewanted=all&position=
Context: I was very moved by that play once again when the Royal Shakespeare Company did a production that toured the cathedrals of England. Then they took it to Poland and performed it in the cathedrals there, too. The actors said it changed their lives. Officials wept; they were speechless after the play, and everyone knew why. It was because they had to enforce the kind of repression the play was attacking. That made me prouder than anything I ever did in my life. The mission of the theater, after all, is to change, to raise the consciousness of people to their human possibilities.
"¿No es lo mismo que suceda lo que deseamos, que desear lo que suceda? Lo que importa es que nuestra voluntad y los sucesos estén de acuerdo."
La otra aventura, 1968.