
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter V, Sec. 1
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 9
Context: In theatres... there are the bronze vessels in which are placed in niches under the seats in accordance with the musical intervals on mathematical principles. These vessels are arranged with a view to musical concords or harmony, and apportioned in the compass of the fourth, the fifth, and the octave, and so on up to the double octave, in such a way that when the voice of an actor falls in unison with any of them its power is increased, and it reaches the ears of the audience with greater clearness and sweetness. Water organs too, and the other instruments which resemble them cannot be made by one who is without the principles of music.
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter V, Sec. 1
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8
A Message to Garcia (1899)
Context: The point I wish to make is this: McKinley gave Rowan a letter to be delivered to Garcia; Rowan took the letter & did not ask, "Where is he at?" By the Eternal! there is a man whose form should be cast in deathless bronze and the statue placed in every college of the land. It is not book-learning young men need, nor instruction about this and that, but a stiffening of the vertebrae which will cause them to be loyal to a trust, to act promptly, concentrate their energies: do the thing — "Carry a message to Garcia!"
On Dramatic Poetry (1758)
“Theatre is almost the last place in the world of culture where living people meet living people.”
Source: [Interview with Joshua Sobol In Residence at Israeli Stage, Israeli Stage, 6 April 2017, https://www.youtube.com/watch?v=mUAhlp2yLZ8] (quote at 11:17 of 18:14)
Source: "The Population Ecology of Organizations," 1977, p. 946
Source: Biology of Cognition (1970), p. 9.
“Christian hope is a vessel in which faith lives; love carries it.”
Source: Lumina and New Lumina (1969), p. 17