“The significance of a myth is not easily to be pinned on paper by analytical reasoning.”

"Beowulf: The Monsters and the Critics" (1936), p. 14
Context: The significance of a myth is not easily to be pinned on paper by analytical reasoning. It is at its best when it is presented by a poet who feels rather than makes explicit what his theme portends; who presents it incarnate in the world of history and geography, as our poet has done. Its defender is thus at a disadvantage: unless he is careful, and speaks in parables, he will kill what he is studying by vivisection, and he will be left with a formal or mechanical allegory, and what is more, probably with one that will not work. For myth is alive at once and in all its parts, and dies before it can be dissected.

Adopted from Wikiquote. Last update Sept. 27, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The significance of a myth is not easily to be pinned on paper by analytical reasoning." by John Ronald Reuel Tolkien?
John Ronald Reuel Tolkien photo
John Ronald Reuel Tolkien 78
British philologist and author, creator of classic fantasy … 1892–1973

Related quotes

Gilda Radner photo
Terry Pratchett photo
John Updike photo

“At last, small witches, goblins, hags,
And pirates armed with paper bags,
Their costumes hinged on safety pins,
Go haunt a night of pumpkin grins.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

October, A Child's Calendar (1965)

Louis Bromfield photo
Mircea Eliade photo

“In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Myth and Reality (1963)
Context: In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

Clive Staples Lewis photo

“The Value of myth is that it takes all the things you know and restores to them the rich significance which has been hidden by the veil of familiarity.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Source: Tolkien's The Lord of the Rings, p. 90

Geoffrey Moore photo
Mircea Eliade photo

“Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Myth and Reality (1963)
Context: For the past fifty years at least, Western scholars have approached the study of myth from a viewpoint markedly different from, let us say, that of the nineteenth century. Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant. This new semantic value given the term "myth" makes its use in contemporary parlance somewhat equivocal. Today, that is, the word is employed both in the sense of "fiction" or "illusion" and in that familiar especially to ethnologists, sociologists, and historians of religions, the sense of "sacred tradition, primordial revelation, exemplary model." … the Greeks steadily continued to empty mythos of all religious and metaphysical value. Contrasted both with logos and, later, with historia, mythos came in the end to denote "what cannot really exist." On its side, Judaeo-Christianity put the stamp of "falsehood" and "illusion" on whatever was not justified or validated by the two Testaments.

Jonathan Swift photo

“Reason is a very light rider and easily shook off.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

As quoted in The World's Laconics : Or, The Best Thoughts Of The Best Authors (1827) by Johan TImbs, p. 25

Related topics