“In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage.”

— Eric Hoffer

Entry (1954)
Eric Hoffer and the Art of the Notebook (2005)
Context: In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage. Michelangelo's definition of art as the purgation of superfluities suggests that the creative effort consists largely in the elimination of that which complicates and confuses a pattern

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Eric Hoffer 240

American philosopher 1898–1983

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“The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Cited by a character in J. D. Salinger's The Catcher in the Rye (1951) as a statement of Stekel, this has often been attributed to Salinger, and may actually be a paraphrase by him of a statement of the German writer Otto Ludwig (1813-1865) which Stekel himself quotes in his writings:
Das Höchste, wozu er sich erheben konnte, war, für etwas rühmlich zu sterben; jetzt erhebt er sich zu dem Größern, für etwas ruhmlos zu leben.
The highest he could raise himself to was to die gloriously for something; now he rises to something greater: to live humbly for something.
Gedanken Otto Ludwigs : Aus seinem Nachlaß ausgewählt und herausgegeben von Cordelia Ludwig (1903) p. 10 http://archive.org/stream/gedankenottolud00ludwgoog#page/n39/mode/2up; this is quoted by Stekel in "Die Ausgänge der psychoanalytischen Kuren" in Zentralblatt für Psychoanalyse : Medizinische Monatsschrift für Seelenkunde (1913), p. 188 http://archive.org/stream/ZB_III_1913_4_5_k#page/n19/mode/2up, and in Das liebe Ich : Grundriss einer neuen Diätetik der Seele (1913), page 38 http://books.google.de/books?id=PgFAAAAAIAAJ&q=r%C3%BChmlich.
Misattributed

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.”

Jerome David Salinger (1919–2010) American writer

Quoted by Salinger as a statement of the psychoanalyst Wilhelm Stekel in The Catcher in the Rye, this has often been attributed to Salinger, and it may actually be a paraphrase by him of a statement of the German writer Otto Ludwig (1813-1865) which Stekel himself quotes in his writings:
Das Höchste, wozu er sich erheben konnte, war, für etwas rühmlich zu sterben; jetzt erhebt er sich zu dem Größern, für etwas ruhmlos zu leben.
The highest he could raise himself to was to die gloriously for something; now he rises to something greater: to live humbly for something.
Gedanken Otto Ludwigs : Aus seinem Nachlaß ausgewählt und herausgegeben von Cordelia Ludwig (1903), p. 10 http://archive.org/stream/gedankenottolud00ludwgoog#page/n39/mode/2up; this is quoted by Stekel in "Die Ausgänge der psychoanalytischen Kuren" in Zentralblatt für Psychoanalyse : Medizinische Monatsschrift für Seelenkunde (1913), p. 188 http://archive.org/stream/ZB_III_1913_4_5_k#page/n19/mode/2up, and in Das liebe Ich : Grundriss einer neuen Diätetik der Seele (1913), page 38 http://books.google.de/books?id=PgFAAAAAIAAJ&q=r%C3%BChmlich.
Disputed

“The refined simplicity should develop out of the complex. […] It would have been more logical if silent pictures had grown out of the talkie instead of the other way around.”

Mary Pickford (1892–1979) Canadian-American actress

Attributed (1934) in Eileen Whitfield, Pickford: The Woman Who Made Hollywood (1997), p. 269–270

“In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage.”

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