'Two Essays on Theodore Roethke'
Essays and reviews, As Of This Writing (2003)
“No description can ever describe the origin. The origin is nameless; the origin is absolutely quiet, it is not whirring about making noise.”
Last public talk (4 January 1986) http://www.jiddu-krishnamurti.net/en/the-future-is-now/1986-01-04-jiddu-krishnamurti-the-future-is-now-3rd-public-talk, The Future is Now : Last Talks in India (1988) http://www.jiddu-krishnamurti.net/en/the-future-is-now, p. 100
1980s
Context: No description can ever describe the origin. The origin is nameless; the origin is absolutely quiet, it is not whirring about making noise. Creation is something that is most holy, that is the most sacred thing in life, and if you have made a mess of your life, change it. Change it today, not tomorrow. If you are uncertain, find out why and be certain. If your thinking is not straight, think straight, logically, Unless all that is prepared, all that is settled, you cannot enter into this world, into the world of creation.
It ends.
This is the last talk. Do you want to sit together quietly for a while? All right, sirs, sit quietly for a while.
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Jiddu Krishnamurti 233
Indian spiritual philosopher 1895–1986Related quotes

What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.

Sucesivos Escolios a un Texto Implícito (1992)

"Many people believe Samuel Johnson said it, but no one seems to have found it anywhere in his works or letters, or, for that matter any of the biographies of him by his contemporaries. I'm basing that on what's been included in Primary Source Media's CD-ROM of Johnson and Boswell. The CD-ROM includes all of Johnson's writings in the canon, Boswell's Life of Johnson and Tour of the Hebrides, as well as accounts from Hester Thrale, Sir John Hawkins, Fanny Burney, plus O.M. Brack's 'Early Biographies.' In short, practically nothing from the 18th Century has been left out. In addition, I've also consulted 'The Beauties of Johnson,' an 18th Century collection of Johnson quotations."
“Your manuscript is both good and original. …” http://www.samueljohnson.com/goodorig.html at The Samuel Johnson Sound Bite Page http://www.samueljohnson.com/ Retrieved 2013-07-07
Misattributed

“There are no original ideas. There are only original people.”

“There is no original truth, only original error.”
A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)