
In an interview with John M. MacGregor, later published in 'Raw Vision 7' (Summer 1993)
posthumous
The Paris Review interview (1984)
Context: The most implacable enemies of culture — Rimbaud, Lautréamont, dadaism, surrealism — end up being assimilated and absorbed by it. They all wanted to destroy culture, at least organized culture, and now they’re part of our heritage. It’s culture and not the bourgeoisie, as has been alleged, that is capable of absorbing everything for its own nourishment. As for the oneiric element, that is due partly to surrealism, but to a larger extent due to personal taste and to Romanian folklore — werewolves and magical practices. For example, when someone is dying, women surround him and chant, “Be careful! Don’t tarry on the way! Don’t be afraid of the wolf; it is not a real wolf!”—exactly as in Exit the King. They do that so the dead man won’t stay in infernal regions.<!-- The same thing can be found in the Tibetan Book of the Dead, which had a great impact on me too. However, my deepest anxieties were awakened, or reactivated, through Kafka.
In an interview with John M. MacGregor, later published in 'Raw Vision 7' (Summer 1993)
posthumous
The New York Times, July 14, 1991.
"If God is Dead..." https://www.chroniclesmagazine.org/if-god-is-dead/ (April 26, 2016), Chronicles
2010s
Source: 1960s, The Gutenberg Galaxy (1962), p. 56
Van Gogh, the Man Suicided by Society (1947)
Quoted in Janera Soerel, "Talking to Nouriel Roubini," http://www.janera.com/janera_words.php?id=44 Janera (2007-05-02).
Massad, "Deconstructing Holocaust Consciousness", Journal of Palestine Studies, 2002
On American Jewry