Conversation on Epictetus and Montaigne
Context: If it is pleasing to observe in nature her desire to paint God in all his works, in which we see some traces of him because they are his images, how much more just is it to consider in the productions of minds the efforts which they make to imitate the essential truth, even in shunning it, and to remark wherein they attain it and wherein they wander from it, as I have endeavored to do in this study.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
“Limited in his nature, infinite in his desires, man is a fallen god who remembers the heavens.”
Méditations Poétiques (1820), Sermon 2
Source: The Seven Steps of the Ladder of Spiritual Love, p. 124
Source: The Slow Regard of Silent Things
Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) Ik heb het onderwerp bestudeerd en geschilderd direct naar de natuur [zijn schilderij 'Schevenings strandgezicht' uit 1869] en ik heb getracht dat motief eenvoudig en ongekunsteld weer te geven, zonder er een schilderij met veel éclat van te willen maken.
In a letter to his Belgium friend, the painter A. Verwee, 19 March 1870; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 15
before 1880
Note to Stanza 27
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas
Context: I have said that God is pleased with nothing but love; but before I explain this, it will be as well to set forth the grounds on which the assertion rests. All our works, and all our labours, how grand soever they may be, are nothing in the sight of God, for we can give Him nothing, neither can we by them fulfil His desire, which is the growth of our soul. As to Himself He desires nothing of this, for He has need of nothing, and so, if He is pleased with anything it is with the growth of the soul; and as there is no way in which the soul can grow but in becoming in a manner equal to Him, for this reason only is He pleased with our love. It is the property of love to place him who loves on an equality with the object of his love. Hence the soul, because of its perfect love, is called the bride of the Son of God, which signifies equality with Him. In this equality and friendship all things are common, as the Bridegroom Himself said to His disciples: I have called you friends, because all things, whatsoever I have heard of my Father, I have made known to you.
“He has no talent at all, that boy! You, who are his friend, tell him please to give up painting.”
spoken to Claude Monet about Pierre-Auguste Renoir (1874), as quoted by John Rewald, The History of Impressionism, Vol.1 (1961).
1850 - 1875
