
Guivric, in Book Six : In the Sylan's House, Ch. XL : Economics of Glaum-Without-Bones
The Silver Stallion (1926)
Guivric, in Book Six : In the Sylan's House, Ch. XL : Economics of Glaum-Without-Bones
The Silver Stallion (1926)
Context: This is a strong magic. This is a sententious magic. They had warned me that I would here face my own destruction, that I would here face the most pitiable and terrible of all things: and I face here that which I have made of life, and life of me. I shudder; I am conscious of every appropriate sentiment. Nevertheless, sir, I must venture the suggestion that mere, explicit allegory as a form of art is somewhat obsolete.
Guivric, in Book Six : In the Sylan's House, Ch. XL : Economics of Glaum-Without-Bones
The Silver Stallion (1926)
"Science and Scientism", p. 115.
The Second Sin (1973)
“… an initial underscore already conveys strong feelings of magicalness to a C programmer.”
[1992Nov9.195250.23584@netlabs.com, 1992]
Usenet postings, 1992
“Now I tell what is very strong magic. I woke in the midst of the night.”
By the Waters of Babylon (1937)
Context: Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.
It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive.
“The magic of music is so strong, getting stronger, it should break any shackle of another art.”
Beethovens Instrumentalmusik
The Last Navigator (1987)