The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The air is filled with endless images of the objects distributed in it; and all are represented in all, and all in one, and all in each, whence it happens that if two mirrors are placed in such a manner as to face each other exactly, the first will be reflected in the second and the second in the first. The first being reflected in the second takes to it the image of itself with all the images represented in it, among which is the image of the second mirror, and so, image within image, they go on to infinity in such a manner as that each mirror has within it a mirror, each smaller than the last and one inside the other. Thus, by this example, it is clearly proved that every object sends its image to every spot whence the object itself can be seen; and the converse: That the same object may receive in itself all the images of the objects that are in front of it.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Quoted in Friends' Intelligencer, Vol. 107 (1950), ed. 26-52, p. 657
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
“All inanimate objects are different from Him and from each other and from all living objects.”
Ya, Hindu Online
Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter II, Elements Of Combinatorial Analysis, p. 32.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.
Rev. William Henry Foote, in "Cornstalk, the Shawanee Chief" in The Southern Literary Messenger Vol. 16, Issue 9, (September 1850) pp. 533-540
Context: All savages seem to us alike as the trees of the distant forest. Here and there one unites in his own person, all the excellencies, and becomes the favourable representative of the whole, the image of savage greatness, the one grand character in which all others are lost to history or observation. Cornstalk possessed all the elements of savage greatness, oratory, statesmanship and heroism, with beauty of person and strength of frame. In appearance he was majestic, in manners easy and winning. Of his oratory, Colonel Benjamin Wilson, Senr., an officer in Dunmore's army, in 1774, having heard the grand speech to Dunmore in Camp Charlotte, says — "I have heard the first orators in Virginia, Patrick Henry, Richard Henry Lee, but never have I heard one whose powers of delivery surpassed those of Cornstalk on that occasion." Of his statesmanship and bravery there is ample evidence both in the fact that he was chosen head of the Confederacy, and in the manner he conducted the war of 1774, and particularly by his directions of the battle at Point Pleasant.
1900s, A Square Deal (1903)
Context: The welfare of each of us is dependent fundamentally upon the welfare of all of us, and therefore in public life that man is the best representative of each of us who seeks to do good to each by doing good to all; in other words, whose endeavor it is not to represent any special class and promote merely that class's selfish interests, but to represent all true and honest men of all sections and all classes and to work for their interests by working for our common country. We can keep our government on a sane and healthy basis, we can make and keep our social system what it should be, only on condition of judging each man, not as a member of a class, but on his worth as a man. It is an infamous thing in our American life, and fundamentally treacherous to our institutions, to apply to any man any test save that of his personal worth, or to draw between two sets of men any distinction save the distinction of conduct, the distinction that marks off those who do well and wisely from those who do ill and foolishly.
or subtle things
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
