
Internet Encyclopedia of Philosophy
[O] : Introduction, 0.8
Semiotics and the Philosophy of Language (1984)
Context: I am not saying that philosophies, since they are speculative, speak of the nonexistent. When they say 'subject' or 'class struggle' or 'dialectics', they always point to something that should have been defined and posited in some way. Philosophies can be judged, at most, on the grounds of the perspicacity with which they decide that something is worthy of becoming the starting point for a global explanatory hypothesis. Thus I do not think that the sign (or any other suitable object for a general semiotics) is a mere figment.
Internet Encyclopedia of Philosophy
Source: "The Masters of Suspicion", p. 84
Heaven and Earth (2009)
Source: The Natural History of the Soul (1745), Ch. VI Concerning the Sensitive Faculty of Matter
Nicomachus of Gerasa: Introduction to Arithmetic (1926)
1910s, The Philosophy of Logical Atomism (1918)
“Western Civ,” p. 18.
Giants and Dwarfs (1990)
A Little Conserva-tive (1936)
Context: My individualism was a logical extension of the anarchist principle beyond its narrow application to one particular form or mode of constraint upon the individual. The thing that interested me, as it interested Emerson and Whitman, was a general philosophy of life which regards human personality as the greatest and most respect-worthy object in the world, and as a complete end-in-itself; a philosophy, therefore, which disallows its subversion or submergence, whether by force of law or by any other coercive force. I was convinced that human beings do better and are happier when they have the largest possible margin of existence to regulate and dispose of as they please; and hence I believed that society should so manage itself as to leave the individual a maximum of free choice and action, even at a considerable risk of results which from the short-time point of view would be pronounced dangerous.
Rose Rosengard Subotnik (1987). "On grounding Chopin", Music and Society: The Politics of Composition, Performance, and Reception. Cambridge: Cambridge University Press. ISBN 0521379776.