“Oh, "impressed" is not the right word! Treading the soil of the moon gives one, I imagine (or rather my projected self imagines), the most remarkable romantic thrill ever experienced in the history of discovery.”
On the first moon landing, p. 150.
Strong Opinions (1973)
Context: Oh, "impressed" is not the right word! Treading the soil of the moon gives one, I imagine (or rather my projected self imagines), the most remarkable romantic thrill ever experienced in the history of discovery. Of course, I rented a television set to watch every moment of their marvelous adventure. That gentle little minuet that despite their awkward suits the two men danced with such grace to the tune of lunar gravity was a lovely sight. It was also a moment when a flag means to one more than a flag usually does. I am puzzled and pained by the fact that the English weeklies ignored the absolutely overwhelming excitement of the adventure, the strange sensual exhilaration of palpating those precious pebbles, of seeing our marbled globe in the black sky, of feeling along one's spine the shiver and wonder of it. After all, Englishmen should understand that thrill, they who have been the greatest, the purest explorers. Why then drag in such irrelevant matters as wasted dollars and power politics?
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Vladimir Nabokov 193
Russian-American novelist, lepidopterist, professor 1899–1977Related quotes

“The wind is the moon's imagination wandering.”

“There is nothing so self-righteous nor so right as an adolescent imagination.”
On adolescence
1990s, Moab is My Washpot (autobiography, 1997)
Context: Didn't Woody Allen say that all literature was a footnote to Faust? Perhaps all adolescence is a dialogue between Faust and Christ. We tremble on the brink of selling that part of ourselves that is real, unique, angry, defiant and whole for the rewards of attainment, achievement, success and the golden prizes of integration and acceptance; but we also in our great creating imagination, rehearse the sacrifice we will make: the pain and terror we will take from others' shoulders; our penetration into the lives and souls of our fellows; our submission to willingness to be rejected and despised for the sake of truth and love and, in the wilderness, our angry rebuttals of the hypocrisy, deception and compromise of a world which we see to be so false. There is nothing so self-righteous nor so right as an adolescent imagination.

1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Context: People are often unable to do anything, imprisoned as they are in I don't know what kind of terrible, terrible, oh such terrible cage.
I do know that there is a release, the belated release. A justly or unjustly ruined reputation, poverty, disastrous circumstances, misfortune, they all turn you into a prisoner. You cannot always tell what keeps you confined, what immures you, what seems to bury you, and yet you can feel those elusive bars, railings, walls. Is all this illusion, imagination? I don't think so. And then one asks: My God! will it be for long, will it be for ever, will it be for eternity?

The Tragic Sense of Life (1913), VIII : From God to God
Context: Not only are we unable to conceive of the full and living God as masculine simply, but we are unable to conceive of Him as individual simply, as the projection of a solitary I, an unsocial I, an I that is in reality an abstract I. My living I is an I that is really a We; my living personal I lives only in other, of other, and by other I's; I am sprung from a multitude of ancestors. I carry them within me in extract, and at the same time I carry within me, potentially, a multitude of descendants, and God, the projection of my I to the infinite — or rather I, the projection of God to the finite — must also be a multitude. Hence, in order to save the personality of God — that is to say, in order to save the living God — faith's need — the need of the feeling and the imagination — of conceiving Him and feeling Him as possessed of a certain internal multiplicity.

Everything About It Is a Love Song
Song lyrics, Surprise (2006)