
“They consider me a friend, it shows in their faces, and I’m a sucker for that.”
A Character Star Gets Her Perks Playing Coffee's Mrs. Olson (April 30, 1979)
"There but for Fortune" (1963); Ochs here paraphrases a proverbial expression "There, but for the grace of God, go I", which was itself a paraphrase of John Bradford's expression on seeing other prisoners being led to their execution as heretics to be burned at the stake: There, but for the grace of God, goes John Bradford. (as quoted in Problems in the Relations of God and Man (1911) by Clement Charles Julian Webb, p. 107)
Lyrics
Context: Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale
And I'll show you a young man
With many reasons why
There but for fortune, go you or I.
“They consider me a friend, it shows in their faces, and I’m a sucker for that.”
A Character Star Gets Her Perks Playing Coffee's Mrs. Olson (April 30, 1979)
Tore Down a la Rimbaud.
Song lyrics, A Sense of Wonder (1985)
"Faster Than The Speed Of Night" from the Bonnie Tyler album Faster Than The Speed of Night (1983)
Context: Let me show you how to drive me crazy,
Let me show you how to make me feel so good,
Let me show you how to take me to the edge of the stars and back again.
You've gotta show me how to drive you crazy,
You've gotta show me all the things you wanna happen to you,
We've gotta tell each other everything, we always wanted someone to do.
Free Culture (2004)
Context: The law should regulate in certain areas of culture — but it should regulate culture only where that regulation does good. Yet lawyers rarely test their power, or the power they promote, against this simple pragmatic question: "Will it do good?" When challenged about the expanding reach of the law, the lawyer answers, "Why not?"
We should ask, "Why?" Show me why your regulation of culture is needed. Show me how it does good. And until you can show me both, keep your lawyers away.
“Show me a poet, and I'll show you a shit.”
The New Yorker, March 28, 1953, quoted in David Remnick, "Reporting It All: A.J. Liebling at 100", The New Yorker, March 29, 2004.
“Because you showed one face to all the rest of the world, and another to me.”
Source: Crown Duel
“Show me a country where the bombs had to fall
Show me the ruins of buildings so tall”
"There but for Fortune" (1963)
Lyrics
Context: Show me a country where the bombs had to fall
Show me the ruins of buildings so tall
And I'll show you a young land
With many reasons why
There but for fortune, go you or I
You or I.
“You show me a capitalist, and I'll show you a bloodsucker”