“We’re not really the authors of our work: we’re channels”

“The song we’re composing already exists in potential. Our work is to find it.”

“But really, who do you think we’re working for? Not some Sunday school god, not the proverbial loving shepherd. The shoving leopard, more like.”

“We’re still working on it, we still do a lot of work to improve our communication, our efficiency together, to understand one another’s different preferences. It’s evolved over the course of two decades, for sure. Having spent so much time together, we realize it’s a unique dynamic but we’re so appreciative of what we have. It’s a special partnership. We still really enjoy skating together and I think that’s why we still are.”

“We’re still working on it, we still do a lot of work to improve our communication, our efficiency together, to understand one another’s different preferences. It’s evolved over the course of two decades, for sure. Having spent so much time together, we realize it’s a unique dynamic but we’re so appreciative of what we have. It’s a special partnership. We still really enjoy skating together and I think that’s why we still are.”

“I think the reason that we seek distraction is that working on stuff that we care about is often scary. It brings us into contact with all the ways in which we’re limited—our talents might not be up to what we’re trying to do, and we can’t control how things will unfold.”

“And your work reflects a tradition that runs through our history -- a belief that we’re greater together than we are on our own. And that’s what I’ve come here to talk about today.”

“We need to keep working because we need to make sure that we’re firing on all cylinders.”

“There is a certain amount of sham in shamanism. There is a certain amount of theatre. It’s as loosely knit as that. We’re sort of coming out of the closet a bit more over the next couple of years. We’re going to be bringing out – manifesto’s too pushy a word – if it’s a theatre of marvels, we’re bringing out a theatre programme in the next couple of years. We’re working on it at the moment – our unified field theory of spookiness where we try to explain everything from language, consciousness, grey aliens to Rosicrucianism or whatever. It is a grand, mad theory which I’m working my best on at the moment to make it rational. It is an anti-rationalistic theory but I’m trying to couch it in rational terms so that it is not as insular as a lot of magic stuff.”

“All right, the pendulum isn’t working. Sometimes you need an accelerant to help it.” – Death
“Like gasoline?” – Nick
“Yes, Nick. We’re going to set the book and your pendulum on fire and then use them ’cause we’re just that intelligent.” – Death”