
Faith for Living (1940)
Context: What is the significance of viewer participation in your work?
It has to do with kinetic art. Kinetic art has very much to do with the interaction between spectator and art. In the second half of the ’50s, this became a big international movement. When I moved from painting to connections within media, this came through in the first work, which was an exhibition of found cardboard pieces. It was a turning point for me. The world itself, the industrial fabricated world, could stand for the man-made world of art.
Faith for Living (1940)
“There’s something imminent in the work, but the circle is only completed by the viewer.”
Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time
Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883
Anita Singh, " Galloway falls out with Big Brother housemates http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/tv_and_radio/article718676.ece", The Times, January 24, 2006
Referring to fellow housemate Samuel Preston while in the Celebrity Big Brother 2006 house.
Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)
1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926
“Serial Project #1, 1966,” Aspen 5/6 (Fall/Winter 1967)
Quotes of Sol Lewitt