“I went home and within days I started to write. I’ve never stopped.”
The Paris Review interview (2010)
Context: The need for romance is constant, and again, it’s pooh-poohed by intellectuals. As a result they’re going to stunt their kids. You can’t kill a dream. Social obligation has to come from living with some sense of style, high adventure, and romance. It’s like my friend Mr. Electrico. … he was a real man. That was his real name. Circuses and carnivals were always passing through Illinois during my childhood and I was in love with their mystery. One autumn weekend in 1932, when I was twelve years old, the Dill Brothers Combined Shows came to town. One of the performers was Mr. Electrico. He sat in an electric chair. A stagehand pulled a switch and he was charged with fifty thousand volts of pure electricity. Lightning flashed in his eyes and his hair stood on end. … Mr. Electrico was a beautiful man, see, because he knew that he had a little weird kid there who was twelve years old and wanted lots of things. We walked along the shore of Lake Michigan and he treated me like a grown-up. I talked my big philosophies and he talked his little ones. Then we went out and sat on the dunes near the lake and all of a sudden he leaned over and said, I’m glad you’re back in my life. I said, What do you mean? I don’t know you. He said, You were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I’m glad you’re back in the world. You have a different face, a different name, but the soul shining out of your face is the same as my friend. Welcome back.
Now why did he say that? Explain that to me, why? Maybe he had a dead son, maybe he had no sons, maybe he was lonely, maybe he was an ironical jokester. Who knows? It could be that he saw the intensity with which I live. Every once in a while at a book signing I see young boys and girls who are so full of fire that it shines out of their face and you pay more attention to that. Maybe that’s what attracted him.
When I left the carnival that day I stood by the carousel and I watched the horses running around and around to the music of “Beautiful Ohio,” and I cried. Tears streamed down my cheeks. I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped.
Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, “Live forever.” And I decided to.
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Ray Bradbury 401
American writer 1920–2012Related quotes
“I started writing hits the day I sold my piano.”
As quoted by Lazae Laspina , in Contemporary Musicians Vol. 14 (May 1995).

Variant: One woman I was dating called and said, 'Come on over, there's nobody home.' I went over. Nobody was home.

“I am ready, but only on one condition. Once I start writing, you should not stop dictating to me.”
Ganesha to Vyasa on the latter’s request to him to write down his narration of Mahabharata. Quoted in p. 139.
Sources, Hindu Culture, An Introduction

“I always said I never wanted to write about love, but then I went and did that anyway.”
Amy Winehouse, Friday Night With Jonathan Ross http://www.youtube.com/watch?v=W8JtiznyfYQ
“The two hardest things about writing are starting and not stopping.”

On her poetry not existing in a vacuum in “You Are on Display: An Interview with Morgan Parker” https://www.theparisreview.org/blog/2016/07/22/you-are-on-display-an-interview-with-morgan-parker/ in The Paris Review (2016 Jul 22)