“Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant.”

— Mircea Eliade

Myth and Reality (1963)
Context: For the past fifty years at least, Western scholars have approached the study of myth from a viewpoint markedly different from, let us say, that of the nineteenth century. Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant. This new semantic value given the term "myth" makes its use in contemporary parlance somewhat equivocal. Today, that is, the word is employed both in the sense of "fiction" or "illusion" and in that familiar especially to ethnologists, sociologists, and historians of religions, the sense of "sacred tradition, primordial revelation, exemplary model." … the Greeks steadily continued to empty mythos of all religious and metaphysical value. Contrasted both with logos and, later, with historia, mythos came in the end to denote "what cannot really exist." On its side, Judaeo-Christianity put the stamp of "falsehood" and "illusion" on whatever was not justified or validated by the two Testaments.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fictio…" by Mircea Eliade?

Mircea Eliade 42

Romanian historian of religion, fiction writer and philosop… 1907–1986

Related quotes

“In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Myth and Reality (1963)
Context: In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

“The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum — because of slavery.”

Jesmyn Ward (1977) American writer

Source: On using mythology in her works in “INTERVIEWS: Powell's Interview: Jesmyn Ward, Author of 'Sing, Unburied, Sing'” https://www.powells.com/post/interviews/powells-interview-jesmyn-ward-author-of-sing-unburied-sing in Powell City of Books (2017 Aug 29)

“The Horatio Alger stories of "rags to riches" were true for a few men, but mostly a myth, and a useful myth for control.”

Howard Zinn book A People's History of the United States

Ch. 11 http://historyisaweapon.com/defcon1/zinnbaron11.html
A People's History of the United States (1980)
Context: While some multimillionaires started in poverty, most did not. A study of the origins of 303 textile, railroad and steel executives of the 1870s showed that 90 percent came from middle- or upper-class families. The Horatio Alger stories of "rags to riches" were true for a few men, but mostly a myth, and a useful myth for control.

“Whereas "false stories" can be told anywhere and at any time, myths must not be recited except during a period of sacred time (usually in autumn or winter, and only at night)”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Myth and Reality (1963)
Context: Whereas "false stories" can be told anywhere and at any time, myths must not be recited except during a period of sacred time (usually in autumn or winter, and only at night).... This custom has survived even among peoples who have passed beyond the archaic stage of culture. Among the Turco-Mongols and the Tibetans the epic songs of the Gesar cycle can be recited only at night and in winter.

“When I used [in his speech] the word silent myths it was for a personal reason. I mean that the relations of pictorial art to the formation of myths has to be silent, consequently not illustrative. In this part of Jutland where the life of the myth has grown strongest and is kept deepest for millenniums, here where I come from and where I have known the richness of the narrative imagination of the people, here I wanted to place a monument to the anonymous strength of the word, not to a single myth, nor to a single cycle of myths, because the myths of the Edda, of the heroic poetry, yes perhaps particularly the myths of the Kalevala, have inspired me like the myth which is to be created today in the people who are glad to tell, racy and fertile.”

Asger Jorn (1914–1973) Danish artist

Quote from Jorn's speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255
1949 - 1958, Various sources