Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter
Rouben Mamoulian, quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0091737362. p. 200.
The Age of Insight (2012)
Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter
Rouben Mamoulian, quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0091737362. p. 200.
Lyndall Urwick (1891–1983) British management consultant
Vol II. p. 18as cited in: Hopf (1947).
1940s, The Making Of Scientific Management, 1945
John Dewey (1859–1952) American philosopher, psychologist, and educational reformer
Time and Individuality (1940)
Orson Welles (1915–1985) American actor, director, writer and producer
As the character Harry Lime in the film The Third Man (1949).
Ursula Goodenough book The Sacred Depths of Nature
Source: The Sacred Depths of Nature (1998), p. 174
Context: Humans need stories — grand compelling stories — that help to orient us in our lives in the cosmos. The Epic of Evolution is such a story, beautifully suited to anchor our search for planetary consensus, telling us of our nature, our place, our context. Moreover, responses to this story — what we are calling religious naturalism — can yield deep and abiding spiritual experiences. And then, after that, we need other stories as well, human-centered stories, a mythos that embodies our ideals and our passions. This mythos comes to us, often in experiences called revelation, from the sages and the artists of past and present times.
Edward Hopper (1882–1967) prominent American realist painter and printmaker
1911 - 1940, Notes on Painting - Edward Hopper (1933)
Marcel Duchamp (1887–1968) French painter and sculptor
It all takes place at the level of our old friend luck.
Quote from Duchamp's letter to Jean Crotti (Duchamp's brother-in-law) and his sister Suzanne Duchamp, New York 17 Augustus 1952; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 167
1951 - 1968
Julie Taymor (1952) American film and theatre director
As quoted in "New York at Work; Puppeteer Creates Shows for Grown-Ups" by N. R. Kleinfield The New York Times (2 July 1991) http://www.nytimes.com/1991/07/02/nyregion/new-york-at-work-puppeteer-creates-shows-for-grown-ups.html <br class="br">Context: We have a ways to go in understanding the power of puppetry … Our problem is for too long we have thought of puppets being for children. … The appeal of puppetry to me is it's much more freeing for an artist … Puppetry is a completely controllable means to attack your characters in every possible way. The artist has the possibility to create a much larger landscape with puppetry. The human becomes more human in that sense. Another of the great things about puppetry is the ability to transform.
Kenneth Noland (1924–2010) American artist
Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)