“We dwell with satisfaction upon the poet's difference from his predecessors”
Tradition and the Individual Talent (1919)
Context: We dwell with satisfaction upon the poet's difference from his predecessors, especially his immediate predecessors; we endeavour to find something that can be isolated in order to be enjoyed. Whereas if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously. And I do not mean the impressionable period of adolescence, but the period of full maturity.
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T.S. Eliot 270
20th century English author 1888–1965Related quotes

“with his customary crooked smile, “are just too unlikely to dwell upon.”
Source: City of Fallen Angels
of modernism; “The End of the Line”, p. 81
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Book Review, 35 Harv. L. Rev. 479, 479 (1922) (reviewing Benjamin N. Cardozo's The Nature of the Judicial Process).
Extra-judicial writings

“We have to hate our immediate predecessors to get free from their authority.”
Letter http://books.google.com/books?id=U-SLXgFQ0hoC&q="We+have+to+hate+our+immediate+predecessors+to+get+free+from+their+authority"&pg=PA509#v=onepage to Edward Garnett (1 February 1913)
Baccalaureate address as President of Yale (12 June 1966)

Quoted from Sandhy, Jain, The denial of history https://web.archive.org/web/20100925004852/http://bharatvani.org/indology/IrfanHabib-denial.html

National Book Award Acceptance Speech (1957)
Context: It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the products something that, though it may not be for everybody, is about everybody.