[Republicans protecting ‘poor,’ persecuted BP, Ironton Tribune, http://www.irontontribune.com/2010/06/18/republicans-protecting-poor-persecuted-bp/]
[Texas Rep. Joe Barton Apologizes to BP Chief, Kate Galbraith, The Texas Tribune, http://www.texastribune.org/texas-energy/oil-and-natural-gas/texas-rep-joe-barton-apologizes-to-bp-chief/]
in House hearing on Deepwater Horizon oil spill, regarding escrow fund to pay oil spill claims,
“I think it's a tragedy of the first proportion that a private corporation can be subjected to what I would characterize as a shakedown.”
Context: I'm speaking totally for myself and I'm not speaking for the Republican Party and I'm not speaking for anybody in the House of Representatives but myself, but I'm ashamed of what happened in the White House yesterday. I think it's a tragedy of the first proportion that a private corporation can be subjected to what I would characterize as a shakedown.
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Joe Barton 9
United States congressional representative from Texas 1949Related quotes
“The first corporeal form, which some call corporeity, I hold to be light.”
De Luce seu de Inchoatione Formarum (c. 1215-1220)
Context: The first corporeal form, which some call corporeity, I hold to be light. For light of its own nature diffuses itself in all directions, so that from a point of light a sphere of light of any size may be instantly generated, provided an opaque body does not get in the way. Corporeity is what necessarily follows the extension of matter in three dimensions, since each of these, that is corporeity and matter, is a substance simple in itself and lacking all dimensions. But simple form in itself and in dimension lacking matter and dimension, it was impossible for it to become extended in every direction except by multiplying itself and suddenly diffusing itself in every direction and in its diffusion extending matter; since it is not possible for form to do without matter because it is not separable, nor can matter itself be purged of form. And, in fact, it is light, I suggest, of which this operation is part of the nature, namely, to multiply itself and instantaneously diffuse itself in every direction. Therefore, whatever it is that produces this operation is either light itself or something that produces this operation in so far as it participates in light, which produces it by its own nature. Corporeity is therefore either this light, or is what produces the operation in question and produces dimensions in matter in so far as it participates in this light itself and acts by virtue of this same light. But for the first form to produce dimensions in matter by virtue of a subsequent form is impossible. Therefore light is not the form succeeding this corporeity, but is this corporeity itself.
Harmeet Dhillon: ‘It’s a Great Time to Be a Tech Lobbyist’ http://www.breitbart.com/tech/2018/03/28/harmeet-dhillon/ (Mar 27, 2018)
Interview with Joan Gordon
Context: There’s simultaneously something rigorous and something playful in genre. It’s about the positing of something impossible—whether not-yet-possible or never-possible—and then taking that impossibility and granting it its own terms and systematicity. It’s carnivalesque in its impossibility and overturning of reality, but it’s rationalist in that it pretends it is real. And it’s that second element which I think those who dip their toes in the SF pond so often forget. They think sf is “about” analogies, and metaphors, and so on. I refute that—I think that those are inevitable components, but it’s the surrendering to the impossible, the weird, that characterizes genre. Those flirting with SF don’t surrender to it; they distance themselves from it, and have a neon sub-text saying, “It’s okay, this isn’t really about spaceships or aliens, it’s about real life,” not understanding that it can be both, and would do the latter better if it was serious about the former.
Source: Taking the Risk Out of Democracy: Corporate Propaganda versus Freedom and Liberty (1995), p. 18
Introduction
The Return of Depression Economics and The Crisis of 2008 (2009)
“Prose is private drama; poetry is corporate drama.”
Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 275