Upton Sinclair (1878–1968) American novelist, writer, journalist, political activist
Mammonart - an Essay in Economic Interpretation Ch. 2 Who Owns the Artists? (1925)
"Charles Dickens" (1939)
Context: I have been discussing Dickens simply in terms of his ‘message’, and almost ignoring his literary qualities. But every writer, especially every novelist, has a ‘message’, whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda. Neither Dickens himself nor the majority of Victorian novelists would have thought of denying this. On the other hand, not all propaganda is art. As I said earlier, Dickens is one of those writers who are felt to be worth stealing. He has been stolen by Marxists, by Catholics and, above all, by Conservatives. The question is, What is there to steal? Why does anyone care about Dickens? Why do I care about Dickens?
Upton Sinclair (1878–1968) American novelist, writer, journalist, political activist
Mammonart - an Essay in Economic Interpretation Ch. 2 Who Owns the Artists? (1925)
“We must never forget that art is not a form of propaganda; it is a form of truth.”
John F. Kennedy (1917–1963) 35th president of the United States of America
Remarks at Amherst College (26 October 1963)
1963
Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister
Berndt reicht mir eine Ausarbeitung über die von uns zu betreibende okkultistische Propaganda ein. Hier wird in der Tat Einiges geleistet. Die Amerikaner und Engländer fallen ja vorzüglich auf eine solche Art von Propaganda herein. Wir nehmen alle irgendwie zur Verfügung stehenden Kronzeugen der okkulten Weissagung als Mithelfer in Anspruch. Nostradamus muß wieder einmal daran glauben.
Dated 19 May 1942 concerning the use of Nostradamus's famous "Hister" quatrain
as displayed and translated in Nazis: The Occult Conspiracy, Discovery Channel
Diary excerpts
“The art of music above all the other arts is the expression of the soul of a nation.”
Ralph Vaughan Williams (1872–1958) English composer
National Music (1934) p. 123.
Alan Moore (1953) English writer primarily known for his work in comic books
Alan Moore on Anarchism (2009)
Context: I suppose any form of art can be said to be propaganda for a state of mind. Inevitably, if you are creating a painting, or writing a story, you are making propaganda, in a sense, for the way that you feel, the way that you think, the way that you see the world. You are trying to express your own view of reality and existence, and that is inevitably going to be a political action—especially if your view of existence is too far removed from the mainstream view of existence. Which is how an awful lot of writers have gotten into terrible trouble in the past.
Wilson Harris (1921–2018) Guyanese writer
Interview with Wilson Harris (2003)
“All I'm out for is a good time - all the rest is propaganda.”
Alan Sillitoe book Saturday Night and Sunday Morning
Source: Saturday Night and Sunday Morning
Max Horkheimer book Eclipse of Reason
describing the pragmatist view, p. 51.
Eclipse of Reason (1947)
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1970s, From Cliché to Archetype (1970), p.77