“Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own …”

— Richard Blackmore

Preface to King Arthur http://d.lib.rochester.edu/camelot/text/blackmore-king-arthur-I (1697)

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Richard Blackmore 6

English poet and physician 1654–1729

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“Virgil is serene and lovely like a marble Apollo in the moonlight; Homer is a beautiful, animated youth in the full sunlight with the wind in his hair.”

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Source: The Story of My Life (1903), Ch. 21

“I have found, by trial, Homer a more pleasing task than Virgil (though I say not the translation will be less laborious); for the Grecian is more according to my genius, than the Latin poet.”

John Dryden book Fables, Ancient and Modern

Preface to the Fables http://www.bartleby.com/39/25.html
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“As learned commentators view
In Homer more than Homer knew.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

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“This tendency, however, to ascribe an universality of genius to great men, led Dryden to affirm, on the strength of two smart satyrical lines, that Virgil could have written a satire equal to Juvenal. But, with all due deference to Dryden, I conceive it much more manifest, that Juvenal could have written a better epic than Virgil, than that Virgil could have written a satire equal to Juvenal. Juvenal has many passages of the moral sublime far superior to any that can be found in Virgil, who, indeed, seldom attempts a higher flight than the sublime of description. Had Lucan lived, he might have rivalled them both, as he has all the vigour of the one, and time might have furnished him with the taste and elegance of the other.”

Charles Caleb Colton (1777–1832) British priest and writer

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“Homer is the most simple in his style of all the great poets, and resembles most the style of the poetical parts of the Old Testament. They can have no conception of his manner, who are acquainted with him in Mr. Pope's translation only. An excellent poetical performance that translation is, and faithful in the main to the original. In some places, it may be thought to have even improved Homer. It has certainly softened some of his rudenesses, and added delicacy and grace to some of his sentiments. But withal, it is no other than Homer modernised. In the midst of the elegance and luxuriancy of Mr. Pope's language, we lose sight of the old bard's simplicity. I know indeed no author, to whom it is more difficult to do justice in a translation, than Homer.”

Hugh Blair (1718–1800) British philosopher

Lectures on Rhetoric and Belles Lettres (1784), Lecture XLIII: Homer's Iliad and Odyssey—Virgil's Aeneid.

“I rejoice to hear that you have begun Homer's Iliad; and have made so great a progress in Virgil. I hope you taste and love those authors particularly. You cannot read them too much: they are not only the two greatest poets, but they contain the finest lessons for your age to imbibe: lessons of honour, courage, disinterestedness, love of truth, command of temper, gentleness of behaviour, humanity, and in one word, virtue in its true significance.”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Letter to his nephew, Thomas Pitt (12 October 1751), quoted in W. S. Taylor and J. H. Pringle (eds.), The Correspondence of William Pitt, Earl of Chatham (London: 1838), p. 62.

“A critical sense of style and of poetic form is not easy to attain, nor is it of first importance for the younger, or, indeed, for any student of Virgil. Wide open to anyone who is willing to learn is the richer knowledge of Virgil as a poet who loved his country and who loved also that humanity which existed before Rome, exists today within ourselves, and will exist long after our own civilization, like that of Virgil's Rome, has become a matter of "ancient history." It is true that the longer one has lived the better one can appreciate a poem which is concerned with life. But the gain that comes to us with the years depends, partly at least, upon the riches we have been willing to extract from literature, which is the experience of other men and women written out. In youth's search for this treasure the Aeneid will be at once a fair haven and a port of departure.”

John Conington (1825–1869) British classical scholar

Introduction to The Aeneid of Virgil (Chicago and New York: Scott Foresman and Company, 1916), p. 45; partially quoted in School and Home Education, Vol. 35 (1916), p. 172

“Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer's estate should sue.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/troy-2004 of Troy (14 May 2004)
Reviews, Two star reviews

“Homer is rapid in his movement, Homer is plain in his words and style, Homer is simple in his ideas, Homer is noble in his manner. Cowper renders him ill because he is slow in his movement, and elaborate in his style; Pope renders him ill because he is artificial both in his style and in his words; Chapman renders him ill because he is fantastic in his ideas; Mr. Newman renders him ill because he is odd in his words and ignoble in his manner.”

Matthew Arnold On Translating Homer

On Translating Homer, p. 336
Essays in Criticism (1865)

“Verse no longer stands at the centre of communicative discourse. It is no longer, as it was from Homer to Milton, the natural repository of knowledge and traditional sentiment. It no longer gives to society its main record of past grandeur or its natural setting for prophecy, as it did in Virgil and Dante. Verse has grown private. It is a special language which the individual poet insinuates, by force of personal genius, into the awareness of his contemporaries, persuading to learn and perhaps hand on his own uses of words. Poetry has become essentially lyric — that is to say, it is the poetry of private vision rather than of public or of national occasion.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. IX (p. 309).

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