“In the content of his work it is interesting to notice that he is profoundly English. His romanticism, and his choice of the theme of Time and Age – both these look back to the Anglo-Saxons and forward to the nineteenth century. Yet his form is French. The heart is insular and romantic, the head cool and continental: it is a good combination.”

— John Gower

C. S. Lewis, The Allegory of Love (1975 [1936]), p. 222.
Criticism

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "In the content of his work it is interesting to notice that he is profoundly English. His romanticism, and his choice o…" by John Gower?

John Gower 12

English writer 1330–1408

Related quotes

“He who works with his hands is a laborer. He who works with his hands and his head is a craftsman. He who works with his hands and his head and his heart is an artist.”

Francis of Assisi (1182–1226) Catholic saint and founder of the Franciscan Order

This quote was actually composed by Louis Nizer, and published in his book, Between You and Me (1948).
Misattributed
Variant: He who works with his hands is a laborer. He who works with his hands and his head is a craftsman. He who works with his hands and his head and his heart is an artist.

“I find that a man is as old as his work. If his work keeps him from moving forward, he will look forward with the work.”

William Ernest Hocking (1873–1966) American philosopher

As quoted in The Little Giant Encyclopedia of Inspirational Quotes (2005) by Wendy Toliver, p. 18.

“Yet, we are well assured that learning did not form any prominent feature in the education of a young nobleman during the Saxon government: it is notorious, that Alfred the Great was twelve years of age before he learned to read; and that he owed his knowledge of letters to accident, rather than to the intention of his tutors. A book adorned with paintings in the hands of his mother, attracted his notice, and he expressed his desire to have it: she promised to comply with his request on condition that he learned to read it, which it seems he did; and this trifling incident laid the groundwork of his future scholarship.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

xx
The Sports and Pastimes of the People of England (1801), Education

“The two men walked on and stopped eight feet in front of him and faced him head-on. Reacher flexed his fingers by his side, to test how cold they were. Eight feet was an interesting choice of distance. It meant they were going to talk before they tangled. He flexed his toes and ran some muscle tension up through his calves, his thighs, his back, his shoulders. Moved his head side to side and then back a little, to loosen his neck. He breathed in through his nose. The wind was on his back. The guy on the left took his hands out of his pockets. No gloves. And either he had bad arthritis or he was holding rolls of quarters in both palms.”

Lee Child book Without Fail

Without Fail, Ch. 1 (2002).

“Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.”

Edwin Markham (1852–1940) American poet

The Man with the Hoe and Other Poems (1899), The Man With the Hoe (1898)
Context: Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes.
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?

“He that is choice of his time will be choice of his company, and choice of his actions.”

Jeremy Taylor (1613–1667) English clergyman

Holy Living (1650), ch. 1, section 1

“Age, with his eyes in the back of his head, thinks it wisdom to see the bogs through which he has floundered.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, pp. 372-373

“Yes, I’m profoundly a representative of the great hypervirtuosic Romantic epoch. But as already mentioned, my roots also go back to Bach and this special style of interpretation, where I’m also at home. In this special field of tension I also see many of the major composers and works in the Romantic tradition. It was no less than Schumann himself who said that great music finds all its combinations in Bach. Indeed, Schumann also builds up his works in polyphonic style, and even in his orchestral scores and symphonic movements he is a counterpointer. As Romantic and modern his work must have seemed to people of his era and lifetime, in main he was a classicist. That means that - and only to name one typical Romantic composer - Schumann cannot be understood without Bach.”

Burkard Schliessmann classical pianist

Talkings on Bach

“The pessimist looks down and hits his head. The optimist looks up and loses his footing. The realist looks forward and adjusts his path accordingly.”

Robert Kirkman (1978) American comic book writer

“Mah Bow Tan, age 16, took his 'O' levels - six distinctions, two credits. Mr Chiam, age 18 - 1953 I think - six credits, one pass. He passed his English language, not bad. The next year, in 1954, he worked harder, he got a credit for his English. So you see, it's not because he doesn't know English that he found difficult in expressing himself. It's what's inside here *tapping his head*. And you better search your inside here before you cast your votes. Goodbye and good luck.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Speech at Fullerton Square dissing Chiam See tong, 19 December 1984 http://eresources.nlb.gov.sg/newspapers/Digitised/Article/straitstimes19841220-1.2.32.5.aspx
1980s

Help us to complete the source, original and additional information

John Gower 12

Related quotes

Related topics