Source: Miss Peregrine's Home for Peculiar Children (2011), Chapter 200, Page 96
The Works of Ben Jonson, Second Folio (1640), Timber: or Discoveries
Stanza 5.
Carcassonne, (c. 1887; with translation by John Reuben Thompson)
Mohican Press interview (2005)
Context: There came a point in time, with all the difficulty, all the frustration, where I was quite content to be where I was. I suppose one could call it a kind of enchantment, I don't know. The shoot was so difficult on the crew and the extras. Often, it was unpleasant for them and many left. But difficulty also creates its own kind of beauty, I suppose. And while I don't revisit it unless asked, there is this sense of apartness I felt during that period of time from our own world. Perhaps the others felt the same, I'm unsure, and that is what you might feel when you watch the movie. We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.
Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain
“A son is not a judge of his father, but the conscience of the father is in his son.”
Book 1, part 1, ch. 5
Pedagogika dlya vseh (Parenting For Everyone) (1977–1986)
Adv. Prax. 18 http://www.intratext.com/IXT/LAT0788/_P1.HTM
Against Praxeas https://www.newadvent.org/fathers/0317.htm
Original: (la) Igitur unus deus pater, et absque eo alius non est: quod ipse inferens non filium negat sed alium deum: ceterum alius a patre filius non est.
Essay on Experimentation
On producing new music, after shunning the music business for over two decades, as quoted in "The Billboard Q and A: Yusuf Islam" by Nigel Williamson, in Billboard Magazine (17 November 2006)
