
Source: Outlines of a Philosophy of Art, 1925, p. 7
Quotes from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)
Source: Outlines of a Philosophy of Art, 1925, p. 7
Daniel Buren (1975), in: Studio International. Vol. 189-190, (1975), p. 124
1970s
Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935
Për nivel të lartë në krijimtari, një kontribut në shquar në artet figurative Shqiptare dhe një ndihmë të pakursyer në përgatitjen e brezave të artistëve të rinj.
Sali Berisha, President of Albania (22-03-1994)
Manifesto (1919)
Source: Art applied to industry: a series of lectures, 1865, p. 91-92; Cited in: "William Burges 1827-1881 London Architect" in: In Pursuit of Beauty: Americans and the Aesthetic Movement http://books.google.com/books?id=56F8Qv96FzwC&pg=PA406. Metropolitan Museum of Art, 1 jan. 1986. p. 405
Discourse no. 12; vol. 2, p. 104.
Discourses on Art
“The development of the Model Driven Architecture (MDA) standards by the Object Management Group”
OMG
The Limits of Software