“Apollinaire asserted that Chirico's first paintings were done under the influence of kinesthetic disorders (migraines, colic, etc.)”

— André Breton

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

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André Breton 70

French writer 1896–1966

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“I will repeat what I once said to Guillaume Apollinaire: "For my part I have never avoided the influence of others. I would have considered it cowardice and a lack of sincerity toward myself."”

Henri Matisse (1869–1954) French artist

original version in French: Je vous répéterai ce que je disais naguère à Guillaume Apollinaire: "Je n'ai, pour ma part, jamais évité l'influence des autres, j'aurais considéré cela comme une lâcheté et un manque de sincérité vis-à-vis de moi-même."
'Interview with Henri Matisse' by Jacques Guenne, in 'L'Art Vivant' (15 September 1925)
1920s

“These collages were static symmetrical constructions, portico's with pathetic vegetation, the gateway to the realm of dreams. They were done with colored paper in black, orange or blue dye plates. Although cubist painting interested me very much, not a trace of their influence was to be found in my collages.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 420 - quote on his early collages, Hans Arp made ca. 1914.

“The need to compile lists is a personality disorder, as is the need to assert the superiority of some things over other things.”

Jeremy Hardy (1961–2019) British comedian

Radio Times, 5-11 August 2006, referring to Film4's Fifty Greatest Films

“[T]he centre of interest... lies in natural science and technology because... the sciences of society were first embodied in tradition and ritual and only took shape under the influence and on the model of the natural sciences.”

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“When I was born 20.6. [18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.... and at all I have much fun about Art.”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), p. 100 : in 'My art and My live' (1940 – 1946), Kurt Schwitters.

“My ideas developed under the influence of the bohemians or rather under Hans Jager [leader of the 'Kristiania Bohemia' since 1883]. Many people have mistakenly claimed that my ideas were formed under the influence of Strindberg and the Germans.... but that is wrong. They had already been formed by then.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote in a draft letter to Broby-Johansen, Berlin, 11 December 1926, Munch Museum
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“If a painting has a soulful effect on the viewer, if it puts his mind into a soulful mood, then it has fulfilled the first requirement of a work of art. However bad it might be in drawing, color, handling, etc.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840

“The 'Grey Pictures' were done at a time when there were monochrome paintings everywhere. I painted them nonetheless... Not Kelly, but Bob Ryman, Brice Marden, Alan Charlton, Yves Klein and many others.”

Gerhard Richter (1932) German visual artist, born 1932

In an interview with Benjamin H.D. Buchloch, 1986
Richter was asked about his 'Monochrome Grey Pictures and Abstract Pictures' and their connection with the artists Yves Klein and Ellsworth Kelly.
1980's

“Better were the prospects of a people under the influence of the worst government who should hold the power of changing it, that those of a people under the best who should hold no such power.”

Frances Wright (1795–1852) American activist

Independence Day speech (1828)
Context: Where men then are free to consult experience they will correct their practice, and make changes for the better. It follows, therefore, that the more free men are, the more changes they will make. In the beginning, possibly, for the worse; but most certainly in time for the better; until their knowledge enlarging by observation, and their judgment strengthening by exercise, they will find themselves in the straight, broad, fair road of improvement. Out of change, therefore, springs improvement; and the people who shall have imagined a peaceable mode of changing their institutions, hold a surety for their melioration. This surety is worth all other excellences. Better were the prospects of a people under the influence of the worst government who should hold the power of changing it, that those of a people under the best who should hold no such power. Here, then is the great beauty of American government.

“De Chirico [Italian painter, later admired by the Surrealists as 'early Surrealist'] found himself in 1912 confronted with the problem of following one of the roads already opened or of opening a new road. He avoided Fauvism as well as Cubism and introduced what could be called 'metaphysical painting'. Instead of exploiting the coming medium of abstraction, he organized on his canvases the meeting of elements which could only meet in a 'metaphysical world'. These elements, painted in the minutest technique, were 'exposed' on a horizontal plane in orthodox perspective. This technique, in opposition to the Cubist or the purely abstract formula in full bloom at the moment, protected de Chirico’s position and allowed him to lay down the foundation of what was to become Surrealism ten years later.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote by Marcel Duchamp, 1943, from 'Appreciations of other artists': Giorgio de Chirico (painter, writer, illustrator); as cited in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159
1921 - 1950

“Apollinaire asserted that Chirico's first paintings were done under the influence of kinesthetic disorders (migraines, colic, etc.)”

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André Breton 70

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