1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)
“When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field. The critics and, along with them, the public sighed, 'Everything which we loved was lost. We are in a desert... Before us is nothing but a black square on a white background!”
But the desert is filled with the spirit of non-objective feeling.. ..which penetrates everything.
In 'The Non-Objective World: The Manifesto of Suprematism', 1926; trans. Howard Dearstyne [Dover, 2003, ISBN 0-486-42974-1], 'part II: Suprematism', p. 68
1921 - 1930
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Kazimir Malevich 31
Russian and Soviet artist of polish descent 1879–1935Related quotes
Quote of Kline in an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', Spring 1963; as cited in Interviews with American Artists, David Sylvester; Chatto & Windus, London 2001, pp. 61-62
1960's
“A world of contradictions, wherein everything is gray and almost nothing is black and white.”
Source: Beautiful Boy: A Father's Journey Through His Son's Addiction
Quote from Lissitzky's essay of 1920, 'Suprematism in World Reconstruction'; as quoted by Sophie Lissitzky-Küppers, in El Lissitzky: Life, Letters, Texts, trans. Helene Aldwinckle and Mary Whittall (Greenwich, Conn.: New York Graphic Society, 1968), p. 327
1915 - 1925
Quote in 'From Cubism and Futurism to Suprematism: The New Realism in Painting', Kazimir Malevich, November 1916
1910 - 1920
“Shored Against My Ruins,” The Southeast Review, Vol. 31, No. 1 (2013)
2010-
The Cornerstone Speech (1861)
[Black Holes and Entropy, Phys. Rev. D, 7, 8, 2333–2346, 15 April 1973, 10.1103/PhysRevD.7.2333]