Sol LeWitt (1928–2007) American artist
Quotes of Sol Lewitt, "Sol LeWitt by Saul Ostrow," 2003
Quote from van Doesburg's article: 'Great Masters of Art' in Dutch art-magazine Eenheid no. 357, 7 April 1917
with elementary plastic art Van Doesburg meant an art without representation (mimetic) any longer]
1912 – 1919
Sol LeWitt (1928–2007) American artist
Quotes of Sol Lewitt, "Sol LeWitt by Saul Ostrow," 2003
“Geometry is to the plastic arts what grammar is to the art of the writer.”
Guillaume Apollinaire (1880–1918) French poet
La géométrie est aux arts plastiques ce que la grammaire est à l'art de l'écrivain.
Les peintres cubistes (1913), reprinted in Oeuvres en prose complètes (Paris: Gallimard, 1991) vol. 2, p. 11; translation from Lionel Abel (trans.) The Cubist Painters (New York: Wittenborn, 1949) p. 13.
Harold Rosenberg (1906–1978) American writer and art critic
Source: Art on the Edge, (1975), p. 147, "Criticism and Its Premises"
Paul Klee (1879–1940) German Swiss painter
Quote (1905), # 690, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910
Naum Gabo (1890–1977) Russian sculptor
As quoted in: Fred Kleiner (2008) Intl Stdt Edition-Gardner's Art Thru/Ages: Globl Hist. Vol.2, p. 949
1918 - 1935, Realistic Manifesto, 1920
Asger Jorn (1914–1973) Danish artist
refering to his art-gift Jorn made the Mmseum Jorn (1962); as quoted in Silkeborg Kunstmuseum — Jorn Samling by Troels Andersen (1973)
1959 - 1973, Various sources
Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer
Quote in Van Doesburg's art-review, published in: 'Thought – Vision – Creation', in De Stijl Vol ll, 2 December 1918; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, pp. 108–109
1912 – 1919
Novalis (1772–1801) German poet and writer
Novalis (1829)
Context: When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.
Piet Mondrian (1872–1944) Peintre Néerlandais
quote, 1937; last lines of Mondrian's publication in 'Circle'; as cited in Abstract Art, Anna Moszynska; Thames and Hudson, London 1990, p. 117
1930's