
“Once an author finishes a poem, he becomes merely another reader. I may remember what I intended to put into a text, but what matters is what a reader actually finds there — which is usually something both more and less than the poet planned.”
"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
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"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
"What is a Poem?" from Anarchism Is Not Enough (London: Jonathan Cape, 1928)

Source: The Story Of The Bible, Chapter X, The Position Today, p. 142

“No poem is intended for the reader, no picture for the beholder, no symphony for the listener.”
Source: Illuminations: Essays and Reflections

Source: The Sacred Depths of Nature (1998), p. 173
Context: I love traditional religions. Whenever I wander into distinctive churches or mosques or temples, or visit museums of religious art, or hear performances of sacred music, I am enthralled by the beauty and solemnity and power they offer. Once we have our feelings about Nature in place, then I believe that we can also find important ways to call ourselves Jews, or Muslims, or Taoists, or Hopi, or Hindus, or Christians, or Buddhists. Or some of each. The words in the traditional texts may sound different to us than they did to their authors, but they continue to resonate with our religious selves. We know what they are intended to mean.

Source: Real Presences (1989), I: A Secondary City, Ch. 3 (p. 9).

As quoted in The Baburnama : Memoirs of Babur, Prince and Emperor, as translated by Wheeler M. Thackston (2002), p. xxvii