“You don't go into the National Gallery of any famous capital city and cry, sob, laugh, fall about on the floor, become very angry -- it's a completely different reaction. It's a reaction which is to do with a much more composed sense of regarding an image; it's a reaction with a thought process as opposed to an immediate emotional reaction.”

Futurewise (1998)

Laws of Motion, III
Philosophiae Naturalis Principia Mathematica (1687)
Context: To every action there is always opposed an equal reaction; or, the mutual actions of two bodies upon each other are always equal, and directed to contrary parts.

What Next? (1932)

Source: Chicken Soup for the Soul

Of her film Carry on Screaming http://www.allthingshorror.co.uk/#/fenella-fielding/4529104641

The Struggle of the Modern (1963)
Context: The immediate reaction of the poets who fought in the war was cynicism... The war dramatized for them the contrast between the still-idealistic young, living and dying on the unalteringly horrible stage-set of the Western front, with the complacency of the old at home, the staff officers behind the lines. In England there was violent anti-German feeling; but for the poet-soldiers the men in the trenches on both sides seemed united in pacific feelings and hatred of those at home who had sent them out to kill each other.

1950s, Loving Your Enemies (November 1957)
Context: How do you go about loving your enemies? I think the first thing is this: In order to love your enemies, you must begin by analyzing self. And I’m sure that seems strange to you, that I start out telling you this morning that you love your enemies by beginning with a look at self. It seems to me that that is the first and foremost way to come to an adequate discovery to the how of this situation. … some people aren’t going to like you. They’re going to dislike you, not because of something that you’ve done to them, but because of various jealous reactions and other reactions that are so prevalent in human nature. But after looking at these things and admitting these things, we must face the fact that an individual might dislike us because of something that we’ve done deep down in the past, some personality attribute that we possess, something that we’ve done deep down in the past and we’ve forgotten about it; but it was that something that aroused the hate response within the individual. That is why I say, begin with yourself. There might be something within you that arouses the tragic hate response in the other individual.

Source: ZERO to ONE

"The Tucson Zoo", p. 9
The Medusa and the Snail: More Notes of a Biology Watcher (1979)
Context: We are endowed with genes which code out our reaction to beavers and otters, maybe our reaction to each other as well. We are stamped with stereotyped, unalterable patterns of response, ready to be released. And the behavior released in us, by such confrontations, is, essentially, a surprised affection. It is compulsory behavior and we can avoid it only by straining with the full power of our conscious minds, making up conscious excuses all the way. Left to ourselves, mechanistic and autonomic, we hanker for friends.