“He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway. … Rog used to come in and say, "Thank you very much" to me once in a while for winning him bass-playing polls.”

— David Gilmour

On Roger Waters, as quoted in Rock Compact Disc (September 1992)

Adopted from Wikiquote. Last update June 3, 2021. History

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David Gilmour 21

guitarist, singer, best known as a member of Pink Floyd 1946

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“I was playing drums, and I had broken my wrist very bad playing football, and the bass player in the band… he wanted to split. So I just went to the bass; I went from Drums over to Bass. That was it. I was playing the bass within a week.”

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“Roger: Let's see.. Chris and Vinnie knew each other in high school and were in bands and then moved to Gainesville, Florida for college. I moved to Gainesville, Florida for college. And then Chris had a party and I told him I played guitar. Which I played guitar at that time. And he said you should come and play guitar then I went to practice with a guitar and then they're like, "Oh, by the way, we're going to be kicking out our bass player - would you mind playing bass?" I said OK. So I went out and bought a bass and that was in '92. And that's how it started. Then we started getting into the horn player thing. Shuffled a few horn players over the years but it's been the same main four guys the whole time.”

Roger Manganelli (1973) American musician

“I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

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“I would say the best moment of all was when I caught a 7.5 pound largemouth bass in my lake.”

George W. Bush (1946) 43rd President of the United States

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“Playing bass for Metallica is like having free speech in Cuba.”

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“I wasn't motivated to do it [re-record Bach's Goldberg Variations] until rather recently, when it occurred to me, on one of my rare relistenings to that early recording, that it was very nice, but that it was perhaps a little bit like thirty very interesting but somewhat independent-minded pieces, going their own way, and all making a comment on the ground bass on which they are all formed and to which they all conform. And I suddenly felt, not having played it in, well, since I stopped playing concerts, about 20 years, having not played it in all that time, that maybe I wasn't savaged by any over-exposure to it, and that if I looked at it again, I could find a way of making some sort of almost arithmetical correspondence between the theme and the subsequent variations, so that there would be some sort of temporal relationship, I don't want to say just exactly 2, 4, 8, 16, 32, that kind of correspondence, but, you know what I mean, there would be a sense in which, substituting for the fact that Bach had absolutely no melodic design that is continuous but rather a base harmonic design that is continuous, there would be at least a rhythmic design that is continuous, and the sense of pulse that went through it. And that seemed to me sufficient justification […] to do it all over again.”

Glenn Gould (1932–1982) Canadian pianist

transcribed from The Glenn Gould Collection vol 13 (Sony laserdisc).

“So Mr. Bass why do you think you should become an Usher?" asked the interviewer. Chuck smiled.

Because I'm Chuck Bass.”

Cecily von Ziegesar (1970) American writer

Source: Would I Lie to You

“Scotty and I became good friends. We had an immediate musical rapport that was sensational. We did a lot of listening and talking. Besides technique, he had governing, control. I think he was the first bass player who was fleet-footed in the musical sense.
[…]
What a trauma! It struck me right down—that someone I was developing such a relationship with would suddenly not be there.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On bassist Scott LaFaro and his premature demise, as quoted in Jade Visions: The Life and Music of Scott LaFaro https://books.google.com/books?id=KnTSqVu9Zr4C&pg=PA67&dq=%22Clare+relates%22+intitle:Jade&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMI-9Dphf_kxgIVCGk-Ch3DaQiT#v=onepage&q=%22Clare%20relates%22%20intitle%3AJade&f=false (2009) by Helene LaFaro-Fernandez, pp. 67-68

“Roger: It’s exciting to play new songs live, we’ve been playing “Summon Monsters” and that’s on the new record it’s fast and got some fun fast quick bass licks that are fun to play so that’s a fun one to play live. Been getting off on that lately, and I think “Conviction Notice” is super solid live and the horn line is great. It’s fun to play new songs.”

Roger Manganelli (1973) American musician

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David Gilmour 21

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