quote in 1946
As quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 439
1940s
“Among other ends, modern art is related to the ideal of Internationalism.”
American Abstract Expressionism of the 1950's, An Illustrated Survey, Herskovic, Marika; nyschoolpress, 2003, p.238
after 1970
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Robert Motherwell 42
American artist 1915–1991Related quotes

Quote by Furlang, 1974, p. 7; as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 206
1970's

St Andrew's Day (November 30, 2007)

“The ideal college is Mark Hopkins on one end of a log and a student on the other.”
Statement that he is reported to have first made at an Alumni Dinner in Delmonico's Restaurant in New York. (28 December 1871). Hopkins was a personal friend and the president of Williams College.
1870s

"The Question of Peace" (July–August 1915) http://www.marxists.org/archive/lenin/works/1915/jul/x02.htm; Collected Works, Vol. 21, p. 293.
1910s

Source: Sculpting in Time (1986), p. 38
Context: Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalised action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself it serves another, higher and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling.
Source: 1950s, The painter and the audience' (1954), p. 107

1911 - 1940, Notes on Painting - Edward Hopper (1933)