Quote from Hodler's speech: 'Über die Kunst', in Freibourg, 1897; as cited in Nationalism and the Nordic Imagination: Swedish Art of the 1890's, Michelle Facos; University of California Press, 1998, p.
“I call 'parallelism' any kind of repetition. When I feel most strongly the charm of things in nature, there is always an impression of unity. If my way leads into a pine wood where the trees reach high into heaven, I see the trunks that stand to the right and to the left of me as countless columns. One and the same vertical line, repeated many times, surrounds me. Now, if these trunks should be clearly outlined on an unbroken dark background, if they should stand out against the deep blue of the sky, the reason for this impression of unity is parallelism.”
from: Die Kunst Ferdinand Hodlers, 1923
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Ferdinand Hodler 8
Swiss artist 1853–1918Related quotes
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 3
Context: In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it.... Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.
Quote from a letter to Maurice Dennis, 1889; as quoted by John Rewald in Pierre Bonnard; MoMA - distribution, Simon & Schuster, New York, 1918, p. 14 - note 7
Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s
“There are many branches of learning, but only the one solid tree-trunk of wisdom.”
Source: Meditations in Wall Street (1940), p. 91
Cagliostro’s Letter to the English People (1787)