“I have been living a hermit-life, though always with my pencil in my hand... How much real delight have I had with the study of landscape this summer! Either I am myself improved in the art of seeing nature, which Sir Joshua call painting, or nature has unveiled her beauties to me less fastidiously. Perhaps there is something of both, so we will divide the compliment.”

— John Constable

Quote from Constable's letter to Rev. John Fisher (22 July 1812), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 40
1800s - 1810s

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John Constable 53

English Romantic painter 1776–1837

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“Dear Sir Joshua, - I am just to write what I fear you will not read - after lying in a dying state for 6 months [in reality much shorter]. The extreme affection which I am informed of by a Friend which Sir Joshua has expresd induces me to beg a last favor, which is to come once under my Roof and look at my things, my woodman you never saw, if what I ask now is not disagreeable to your feeling that I may have the honour to speak to you. I can from a sincere Heart say that I always admired and sincerely loved Sir Joshua Reynolds. 'Tho. Gainsborough.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

A last letter of Gainsborough to Sir Joshua Reynolds, End of July 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 307
Gainsborough, on the occasion of that last visit, actually had many of his unfinished canvases brought to his bedside to show to Sir Joshua
1770 - 1788

“The changeover was complete; in the summer of 1907 I devoted myself entirely to the appearance of nature and upon these studies built my black-and-white landscapes on glass, 1907/1908.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 831, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

“For some moments there had been outlined within me the tragic shape of the cry which at last came forth. It was a sort of madness of sincerity and simplicity which seized me.
And I, unveiling my life to her, though it slid away by the side of hers, all my life, with its failings and its coarseness. I let her see me in my desires, in my hungers, in my entrails.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face

“I think, for me, nature has always been my main point of reference. I think as a child I was fascinated by landscapes and nature wherever I went. I was able to travel all over Denmark, which is not that large, everywhere in this country where I've been I always loved the landscape.”

Margrethe II of Denmark (1940) Queen of Denmark

Interview with Reuters, quoted on ITN. http://www.itnsource.com/shotlist/RTV/2012/01/26/RTV249512/ (26 January 2012).
As an Artist

“Hugo [Claus], Now you should see my recent works. A drawing in ink, three pencil drawings and two sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I still have to work on the landscape, but I really think it will be the best of my paintings till now.... but the happiest thing is, I have acquired much more freedom.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960

“I am glad I have that artistic life in me... [I'm] a nobody in my field of art... I don't overestimate myself at all, and that's why I can't get that comfort from my work [landscape painting], which the Great [artists] have in their field of art. What else to say! 50 years after my death!! I laughed about it. Do you think they will remember me after only one year? [after her death] Dear heaven! No, that is really my least concern.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia

“I strove with none, for none was worth my strife;
Nature I loved; and next to Nature, Art.
I warmed both hands before the fire of life;
It sinks, and I am ready to depart.”

Walter Savage Landor (1775–1864) British writer

I Strove with None (1853). The work is identified in Bartlett's Quotations, 10th edition (1919) as Dying Speech of an old Philosopher.
Quoted in W. Somerset Maugham: The Razor's Edge, The Blakiston Company, Philadelphia, 1944, p. 161.

“Nature as it is seen and nature as it is felt, the nature that is there.. (he pointed towards the green and blue plain; J. G.) and the nature that is here (he tapped his forehead, J. G.) both of which have to fuse in order to endure, to live that life, half human and half divine, which is the life of art or, if you will.. the life of god. The landscape is reflected, humanized, rationalized within me. I objectivize it, project it, fix it on my canvas..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 150, in: 'What he told me – I. The motif'

“I suppose that I am a very serious poet – except for satirical verse, which I have also been compelled to write, though much of it may be inferior to my more serious poems – perhaps because I am not playful enough by nature, and even my satirical or polemical verse is not entertaining.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm

“All I can tell is that they [some small landscapes Bilders painted in Savoy, which were exhibited there] are more blatant than in my studio, and secondly that I have been honored with a pretty good review... the jury found evidence of a thoroughly study and of happy sunlight in my works. They thought that I had to cherish a lot of love for nature, to be able to show it so sensitive.... [I] can not deny that I am very pleased to find that my small paintings have been noticed favorably. And besides that, one will never forget his first review..”

Gerard Bilders (1838–1865) painter from the Netherlands

Bilder's travel to Switzerland with some other artists was the longest travel he ever made in his short life
Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 23 - quote in Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switserland, September 1858;

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John Constable 53

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