“I was interested in ideas - not merely in visual products. I wanted to put painting once again at the service of the mind.”

—  Marcel Duchamp

In 'Artist's Voice', Kuh; p. 89; as quoted in Writings of Marcel Duchamp, Sanouillet and Peterson, p. 125
posthumous

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I was interested in ideas - not merely in visual products. I wanted to put painting once again at the service of the mi…" by Marcel Duchamp?
Marcel Duchamp photo
Marcel Duchamp 66
French painter and sculptor 1887–1968

Related quotes

Marcel Duchamp photo

“I wanted to get away from the physical act of painting... For me the title ('Fresh Widow', 1920), with inscription under: 'Fresh Widow Copyright Rose Sélavy, 1920', [probably referring to all the widows because of the many killings of soldiers in World War, 1. which ended in 1918] was very important... I was interested in ideas – not merely visual products. I wanted to put painting once again at the service of the mind.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from: Looking at Dada ed. Sarah Blyth / Edward Powers, MoMa, New york 2006; p. 13
posthumous

Berenice Abbott photo

“I wanted to photograph this subject because the signs’ shrieking blatancy literally cried out for a visual record. To my mind the faded, yellowing paper and the red paint were not particularly paint, able. In black and white the signs shouted, clamored for attention, in visual anarchy. At the same time, the shrewd business sense which plastered them solid over the entire window area produced, as it were by chance, an esthetic by-product: the whole has homogeneity and variety of texture, simultaneously, which give the picture interest.”

Berenice Abbott (1898–1991) American photographer

New Guide to Better Photography, 1953.

David Cameron photo

“The last thing I would say is that you can achieve a lot of things in politics and get a lot of things done; in the end, public service and the national interest is what it is all about. Nothing is really impossible if you put your mind to it. After all, as I once said, I was the future once.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Last statement to the House of Commons as Prime Minister, ending by paraphrasing his 2005 comment to Tony Blair, "he was the future once" (July 13, 2016), see Hansard https://hansard.parliament.uk/Commons/2016-07-13/debates/4A1B874C-54B5-4BEF-8D79-AFA264A78068/Engagements#contribution-E7A04179-9154-4077-87DF-1642C1BD3B4D
2010s, 2016

“I wanted to do something figurative. Well I couldn’t visualize a whole man... I felt that I wanted to make a painting primarily with painterly means. So I flattened out my canvas and made them roughly rectangular divisions, with lines going out in four directions. That is, vertically and horizontally... And then I would free associate, putting whatever came to my mind freely within these different rectangles… I thought of it as related tot the automatic writing the surrealists were interested in.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Robert Rauschenberg photo

“I didn't even know that there was art until I left Texas when I was eighteen. The only painting I knew (and I didn't know it was a 'painting' until much later) was 'Hope' [of George Frederic Watts, 1886] the woman sitting on the globe with... that green [of the painting 'Hope'] you only get in reproductions]! I think that negates the idea of a painter's relation to official – old master art. It was neutral ground – that one picture – I responded to visual things...'Hope' was just sort of visual thing there, not art.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

Robert Rauschenberg photo

“I think the ideas [as starting point for his paintings] are based upon very obvious physical facts – notions that are also simple-minded, such as, in the 'White Paintings', wanting to know if that was a thing to do or not, or in 'Factum', wondering about what the role of accident is. Those aren't really very involved ideas.”

Robert Rauschenberg (1925–2008) American artist

1960's, I never thought of it as much of an ability,' (1968)

Larry Holmes photo

“I achieved something once again, I think we all want to put a mark on life. I dream, and my dreams always come true. I dreamed I was the heavyweight champion of the world. I am the heavyweight champion of the world.”

Larry Holmes (1949) American boxer

As quoted in "Sport: Larry Holmes: I Still Have It" by Tom Callahan in TIME (21 June 1982).

“Well I think it [a 'Little Image' painting] does suggest hieroglyphics of some sort. It is a preoccupation of mine from way back and every once in a while it comes into my work again. For instance in my 1968 show at the Marlborough I have a painting called 'Kufic', an ancient form of Arabic writing. Every once in a while I fall back to what I call my mysterious writings. I haven no idea what this is about but it runs through periods of my work.”

Lee Krasner (1908–1984) American artist

Source: Art Talk, Conversations with 15 woman artists 1975, p. 78.

Edward Hopper photo

“[about his painting 'Approaching a CityWell' Hopper painted in 1946:] I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics. There is a certain fear and anxiety and a great visual interest in the things that one sees coming into a great city. I think that's about all I can say about it.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: 'Oral history interview with Edward Hopper' (1959, June 17), conducted by John Morse; 'Archives of American Art', Smithsonian Institution

Bram van Velde photo

“Painting doesn't interest me... What I paint is beyond painting.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Related topics