
Source: Wanderlust: A History of Walking
The Garden of Forking Paths (1942), The Garden of Forking Paths
Source: Wanderlust: A History of Walking
1951 - 1968, The Creative Act', 1957
Context: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
Review http://www.salon.com/ent/movies/review/2006/10/13/pans_labyrinth/ of Pan's Labyrinth (2006)
Source: Art & Other Serious Matters, (1985), p. 14, "Movement in Art"
"O To Be A Dragon" in O To Be A Dragon (1957)
Poetry
Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)
"The Psychology of Altruism", p. 314
The Universal Kinship (1906), The Ethical Kinship