“Kandinsky points out [in his book On the Spiritual in Art] that Theosophy (in its true sense; not as it generally appears) is yet another expression of the same spiritual movement which we are now seeing in painting.”

— Piet Mondrian

In 'De Nieuwe beelding in de Schilderkunst', Piet Mondriaan, 'De Stijl' No. 1, October 1917, p. 54
1910's

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Piet Mondrian 95

Peintre Néerlandais 1872–1944

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“You write you could never be a Theosophist. Well I suppose I could say the same thing, if you're referring to what most theosophists are. But that does not alter the fact that I believe that the principles of theosophy are true, and that it leads to clarity in one's spiritual development. Which means that we [= Mondrian ànd the catholic painter and his former teacher L. Schelfhout, after their reconciliation] quite agree on this point. Self-awareness is, in my view, of crucial importance to all human beings. I can understand how the Catholic doctrine may lead to vagueness, but Theosophy, which is a spiritual science, can never do so.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In a letter to Lodewijk Schelfhout, Paris 29 January 1914; as quoted in 'Beeldende Kunst: Opmerkingen over de tentoonstelling van den Modernen Kunstkring.. Der Ploeg (1912)', W. Steenhoff, p. 147
1910's

“Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.”

Wassily Kandinsky (1866–1944) Russian painter

Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
1930 - 1944

“The problem they had to solve was the same as any messianic movement: how to exist with an alien culture yet remain spiritually autonomous.”

Peter Farb (1929–1980) American academic and writer

Man's Rise to Civilization (1968)
Context: The Ghost Dance made its unfulfillable promises at a time when the Indians were ready to rebel. The teachings of the Native American Church spread at a time when the Indians were ready to admit defeat.... The problem they had to solve was the same as any messianic movement: how to exist with an alien culture yet remain spiritually autonomous. The solution had been to borrow freely from White culture while salvaging what is considered important in Indian religious thought.<!-- p. 269

“The age in which true history appeared in India was one of great intellectual and spiritual ferment.”

Arthur Llewellyn Basham (1914–1986) British historian and Indologist

The Wonder that was India (1954).
Context: The age in which true history appeared in India was one of great intellectual and spiritual ferment. Mystics and sophists of all kinds roamed through the Ganga Valley, all advocating some form of mental discipline and asceticism as a means to salvation; but the age of the Buddha, when many of the best minds were abandoning their homes and professions for a life of asceticism, was also a time of advance in commerce and politics. It produced not only philosophers and ascetics, but also merchant princes and men of action.