
Speech to the United Parents Association, as quoted in The New York Times (6 April 1958)
1790s, Discourse to the Theophilanthropists (1798)
Speech to the United Parents Association, as quoted in The New York Times (6 April 1958)
An Essay on the Nature and Conduct of the Passions and Affections (1728), Treatise II: Illustrations upon the Moral Sense, Sect. I
Interview by Svetlana Vukovic & Svetlana Lukic on Radio B92, Belgrade, Serbia, September 19, 2001 http://www.b92.net/intervju/eng/2001/0919-chomsky.phtml.
Quotes 2000s, 2001
Source: https://www.youtube.com/watch?v=R_GPAl_q2QQ "Biblical Series III: God and the Hierarchy of Authority"
Address to the Society for Psychical Research (1897)
Context: Popular imagination presupposes spiritual beings to be utterly independent of gravitation, while retaining shapes and proportions which gravitation originally determined, and only gravitation seems likely to maintain.
When and if spiritual beings make themselves visible either to our bodily eyes or to our inward vision, their object would be thwarted were they not to appear in a recognizable form; so that their appearance would take the shape of the body and clothing to which we have been accustomed. Materiality, form, and space, I am constrained to believe, are temporary conditions of our present existence. It is difficult to conceive the idea of a spiritual being having a body like ours, conditioned by the exact gravitating force exerted by the earth, and with organs which presuppose the need for food and necessity for the removal of waste products. It is equally difficult, hemmed in and bound round as we are by materialistic ideas, to think of intelligence, thought, and will existing without form or matter and untrammeled by gravitation or space.
Patrick L. McGuire, Her Strong Enchantments Failing (p. 93; this work is an essay about Anderson's story The Queen of Air and Darkness).
Short fiction, The Book of Poul Anderson (1975)
Ideas, p. 23
Catching the Big Fish (2006)
Context: An idea is a thought. It's a thought that holds more than you think it does when you receive it. But in that first moment there is a spark. In a comic strip, if someone gets an idea, a lightbulb goes on. It happens in an instant, just as in life.
It would be great if the entire film came all at once. But it comes, for me, in fragments. That first fragment is like the Rosetta stone. It's the piece of the puzzle that indicates the rest. It's a hopeful puzzle piece.
In Blue Velvet, it was red lips, green lawns, and the song — Bobby Vinton's version of "Blue Velvet". The next thing was an ear lying in a field. And that was it.
You fall in love with the first idea, that little tiny piece. And once you've got it, the rest will come in time.