“The castle was far more than a walled and turreted fortress; it was an instrument of social control and the symbol of power, authority, and wealth.”

— Marilyn Stokstad

Preface
Medieval castles (2005)

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Marilyn Stokstad 27

art historian 1929–2016

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“Whether looming over the land as a symbol of a ruler’s authority or providing a setting for displays of wealth and power in spectacular feasts and tournaments, castles made a visual statement about their owners. All ar chitecture has symbolic overtones, and the castle is a potent image.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 4 : The Castle as Symbol and Palace

“At the end of the Middle Ages, castles began to lose their military func tion, but not their psychological impact as a symbol of authority. Gun powder and cannons supported armies of mercenary troops, and the garrison forts built to house them adopted the crenellated walls of private aristocratic castles. By the sixteenth century, professional soldiers lived in barracks, a few officers and the governor had finer quarters, and kings and nobles merely directed the operations from distant palaces where battle ments had become purely symbolic decoration. The Battle of Crecy be tween France and England in 1346 is traditionally considered to be the first use of cannons on the battlefield. At first the noise and smoke cre ated by the explosion terrified horses and men, and wreaked more havoc than the projectiles. Early cannons could be more dangerous for the gun ners than for the enemy, but military engineers rapidly developed the weapons’ power and accuracy. A castle’s high walls and towers made easy targets for gunners whose power and accuracy reduced once formidable medieval buildings to rubble. Mining became more successful because the attackers could put explosives under the walls.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 5 : Impact and Consequences : The Afterlife of the Castle

“In Bolków there is a monumental Piast dynasty castle, one of the largest fortresses of the Świdnica Duchy. This stronghold, erected in the 13th century, defended nearby trade routes. Its monumental walls are still very impressive, stirring the imagination. This fortress is testimony to the dramatic history of this part of Central Europe.”

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Bolków castle: A fortress of the Piast dynasty from Świdnica-Jawor, "Aura" 12, 1996-12, p. 23-24. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-article-c77d83b5-69ec-4e41-b36d-878be4a1cf48?q=264a0585-9279-4717-bb47-4de1ebea3787$7&qt=IN_PAGE

“Before we continue our story we must stop to ask, “What is a castle?” Once a castle was defined simply as the fortified and self-sufficient dwelling of an individual feudal lord. Today we know that castles had many functions, both practical and symbolic. The castle was a new ar chitectural form—part fortress, part residence, part statehouse, part the atrical stage. Furthermore, every castle was different, depending on the wealth of the builder, the reason for the castle (control of territory, bor der, coastlines), the local geography (availability of naturally defensible sites), the knowledge of the master builder or patron, the available ma terials, the degree of urgency (speed), and finally the building traditions of the region (the techniques the workmen knew and used). In short, there is no such thing as a typical castle; a castle was a very special build ing whose form and function answered the needs of people living in Eu rope from the eleventh through the fifteenth century.”

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“Were castles really as rough and rugged as their owners? The answer seems to be, “not necessarily.” Castles were indeed rough and rugged fortresses, the product of an essentially elite, masculine warrior society, what today we call a feudal society. But they were also among the finest buildings of their times—secure, well-built residences that supported the complex rituals of noble life. To understand how castle form came to meet castle function, we must look briefly at the castle’s social and economic underpinnings.”

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“As castle design evolved, the great tower was eventually replaced by walled enclosures, which permitted more effective use of troops and better living conditions. The future of castle design lay with the curtain wall, that is, a wall “hung” like a curtain between towers, each of which functioned like a keep.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

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