“Perhaps these experiences of cognitive man are lacking in the emotional dynamic and turbulent passion of aesthetic man; perhaps these experiences are devoid of flashy and externally impressive bursts of ecstasy or stychic enthusiasm. However, they are possessed of a profound depth and a clear penetrating vision. They do not flourish and then wither away like experiences that are only based on a vague, obscure moment of psychic upheaval.”
Source: Halakhic Man (1983), p. 84
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Joseph B. Soloveitchik 11
American theologian 1903–1993Related quotes
I. Bernard Cohen,
The Birth of a New Physics (1959)

Cited in: Eric Shiraev (2010) A History of Psychology: A Global Perspective. p. 314
A History of Experimental Psychology, 1929

Interview for Racing is in My Blood, 1991 http://www.youtube.com/watch?v=vzlKNyopKUI
The actual interview footage https://www.youtube.com/watch?v=ViXeYxHfYiw

The Captive Mind (1953)
Context: Never has there been a close study of how necessary to a man are the experiences which we clumsily call aesthetic. Such experiences are associated with works of art for only an insignificant number of individuals. The majority find pleasure of an aesthetic nature in the mere fact of their existence within the stream of life. In the cities, the eye meets colorful store displays, the diversity of human types. Looking at passers-by, one can guess from their faces the story of their lives. This movement of the imagination when a man is walking through a crowd has an erotic tinge; his emotions are very close to physiological sensations.
Knowing Yourself: The True in the False (1996)
Context: You think: you become that thought. And consciousness, or the state of pure awareness, is lost. The highest knowledge man can possess is that which is true in his own experience. If his experience is limited, so is his knowledge and he behaves accordingly.

Source: Self-Consciousness : Memoirs (1989), Ch. 6
“Men experience many passions in a lifetime. One passion drives away the one before it.”
Quoted in Paul Newman: A Life in Pictures, ed. Yann-Brice Dherbier and Pierre-Henri Verlhac (2006), p. 93