
“Good and bad lies within and without one other loses its mean and essence.”
"Humanity", Ch.VII "Humanity: A Way Forward", Part VIII
"The Most Unfashionable Poet Now Alive: Charles Causley," http://www.danagioia.net/essays/ecausley.htm published in The Dark Horse (Summer 1997 and Spring 1998)
Essays
“Good and bad lies within and without one other loses its mean and essence.”
"Humanity", Ch.VII "Humanity: A Way Forward", Part VIII
“No object has ever had the experience of being touched.”
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Aucun objet n'a jamais fait l'expérience d'être touché.
Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 295
Preface
The Great Rehearsal (1948)
Context: The most momentous chapter in American history is the story of the making and ratifying of the Constitution of the United States. The Constitution has so long been rooted so deeply in American life — or American life rooted so deeply in it — that the drama of its origins is often overlooked. Even historical novelists, who hunt everywhere for memorable events to celebrate, have hardly touched the event without which there would have been a United States very different from the one that now exists; or might have been no United States at all.
The prevailing conceptions of those origins have varied with the times. In the early days of the Republic it was held, by devout friends of the Constitution, that its makers had received it somewhat as Moses received the Tables of the Law on Sinai. During the years of conflict which led to the Civil War the Constitution was regarded, by one party or the other, as the rule of order or the misrule of tyranny. In still later generations the Federal Convention of 1787 has been accused of evolving a scheme for the support of special economic interests, or even a conspiracy for depriving the majority of the people of their liberties. Opinion has swung back and forth, while the Constitution itself has grown into a strong yet flexible organism, generally, if now and then slowly, responsive to the national circumstances and necessities.
Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 627.
Source: Care of the Soul: A Guide for Cultivating Depth and Sacredness in Everyday Life
George Brecht, 1957/58, cited in: George Brecht, Alfred M. Fischer (2005). George Brecht: events : eine Heterospektive. p. 224
“One cannot be deeply responsive to the world without being saddened very often.”
ABC TV (25 May 1958)