
quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935
Source: Interview with Edouard Roditi' (1958), p. 89
quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935
“The idea becomes a machine that makes the art.”
Sol LeWitt (1965); quoted in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
Quotes of Sol Lewitt
Coined term on social media on March 16, 2018.
Quotes as Marcil d'Hirson Garron
The Origins of Art (1966)
Other Quotes
Context: What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.
“Árt is dead. Long live Tatlin's new machine art.”
Grosz and Heartfield, 1920: text on their billboard at the Dada fair in Berlin
The Soul of Man Under Socialism (1891)
Context: Art is Individualism, and Individualism is a disturbing and disintegrating force. Therein lies its immense value. For what it seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine.
Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 173; As cited in: Samuel Smiles (1864) Industrial biography; iron-workers and tool-makers http://books.google.com/books?id=5trBcaXuazgC&pg=PA245, p. 245