“We know nothing accurately in reality, but [only] as it changes according to the bodily condition, and the constitution of those things that flow upon [the body] and impinge upon it.”

Nicomachus of Gerasa: Introduction to Arithmetic (1926)
Context: Bodily, material things are... continuously involved in continuous flow and change—in imitation of the nature and peculiar quality of that eternal matter and substance which has been from the beginning... The bodiless things, however, of which we conceive in connection with or together with matter, such as qualities, quantities, configurations, largeness, smallness, equality, relations, actualities, dispositions, places, times, all those things... whereby the qualities in each body are comprehended—all these are of themselves immovable and unchangeable, but accidentally they share in and partake of the affections of the body to which they belong. Now it is with such things that 'wisdom' is particularly concerned, but accidentally also with... bodies.<!--p.181

The Novel of the Future (1969)

My Disillusionment in Russia (1923)

This quotation's origin is actually unknown, however it is not found in the Dao De Jing.
生命是一连串的自发的自然变化。逆流而动只会徒增伤悲。接受现实，万物自然循着规律发展。
Misattributed
Variant: Life is a series of natural and spontaneous changes. Don't resist them — that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like.

Skinny Legs and All (1990)
Context: ... she recreated the mountains not as she had originally seen them but as she eventually chose to perceive them, not only a capacity to observe the world but a capacity to alter his or her observation of it — which, in the end, is the capacity to alter the world, itself. Those people who recognise that imagination is reality's master, we call "sages," and those who act upon it, we call "artists."

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 221
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Ma chair n’est donc pas seulement le principe de la constitution de mon corps objectif, elle cache en elle sa substance invisible. Telle est l’étrange condition de cet objet que nous appelons un corps : il ne consiste nullement en ces espèces visibles auxquelles on le réduit depuis toujours ; en sa réalité précisément il est invisible. Personne n’a jamais vu un homme, mais personne n’a jamais vu non plus son corps, si du moins par « corps » on entend son corps réel.

Source: Silent in the Grave

Pandora (1998)

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)